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Sales numbers for the first week of Lil Wayne’s “Tha Fix Before Tha VI” have been released.

Sales numbers for the first week of Lil Wayne's "Tha Fix Before Tha VI" have been released.

The Grammy-awarded rapper, Lil Wayne, has just released his latest album, Tha Fix Before Tha VI. This 10-song album, with guest appearances from artists such as Fousheé, Euro, and Jon Batiste, marks his first individual venture since his 2020 mixtape, No Ceilings. The new album serves as a prelude to the eagerly awaited Tha Carter VI.

Tha Fix Before Tha VI includes the September release, “Kat Food.” The first week sales numbers for the album have been revealed, and it sold 19K album-equivalent units. This number has come as a surprise to many fans who expected higher sales from the iconic rapper. However, it’s worth noting that Lil Wayne did not heavily promote this project. Instead, it appears he is focusing on building anticipation for Tha Carter VI.

Despite the lower than expected sales, many fans have come to Wayne’s defense. However, there are concerns about what this could mean for the next installment of the Tha Carter series.

Eminem, a fellow rapper, appears to be a fan of Lil Wayne’s latest music. He used social media to praise some of Lil Wayne’s verses from his part in YG and Tyga’s song “Brand New” from the playlist Hit Me When U Leave The Klub. This tweet provoked a surge of responses from fans revealing their top Lil Wayne lyrics.

Despite the mixed reactions to Tha Fix Before Tha VI, it’s clear that Lil Wayne still has a dedicated fan base eagerly awaiting his next move. Whether you’re surprised by the album’s first week sales or not, there’s no denying that Lil Wayne continues to make waves in the hip-hop industry.

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As we await more updates on Lil Wayne and his upcoming projects, fans can enjoy his latest offering and speculate on what Tha Carter VI will bring. Regardless of sales numbers, Lil Wayne’s impact on the music industry remains undeniable.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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