Mainstage
Hit-Boy Narrates How He was Introduced to Nas Through Frank Ocean: A Story Revealed

Nas and Hit-Boy’s recent partnership has been legendary in the hip-hop industry. In just four years, they have released six albums, with three from the King’s Disease series and three from the Magic series. Their abundant production has received universal praise, especially the featured appearances by 50 Cent and Lil Wayne on Magic 2 and Magic 3.
In a recent interview with Rap Radar, Hit-Boy revealed the surprising origins of this fruitful partnership. According to the producer, he was introduced to Nas by none other than Frank Ocean. The introduction happened back in 2013 when Hit-Boy was working on a demo with Ocean.
“We met originally in like 2013. I did a demo with Frank Ocean and Frank Ocean played it for Nas. Me and Frank had a session of our own, we were just working on music and he did a hook he was like ‘yo I’m about to go work with Nas. I wanna play this hook for him.’ He played it and Nas was rocking with it,” Hit-Boy explained.
Eventually, the track transformed into “Royalty” from Nas’ Lost Tapes 2, but only Frank’s lyrics were kept in the final version.
In a post on Instagram last month, Hit-Boy further discussed his long-held desire to collaborate with Nas. He shared a note from his phone dated September 11th, 2011, where he expressed his wish to produce a Rihanna single and just three songs on a Nas album.
“Fast forward 12 years later and i’m 6 ALBUMS in with the God himself wow. How did we get here?!!,” Hit-Boy wrote.
The story of how Frank Ocean connected Hit-Boy and Nas is a testament to the power of networking and collaboration in the music industry. It also highlights the role of serendipity in shaping the course of music history.
As fans, we can only marvel at the string of albums that this introduction has produced and look forward to more collaborations from these talented artists in the future.
Album Review
Eric Schroeder drops a riveting dare into his emotionally charged new album “Cat’s Game”

Eric Schroeder, a distinguished innovator within the indie rock-pop sphere, born and raised in San Diego, has unveiled his ambitious latest album, “Cat’s Game,” a masterful project that deftly explores intricate emotional landscapes. Comprising ten meticulously woven tracks, traverse through landscapes of confessional intimacy, introspection, and sonic defiance that revitalizes classic rock ‘n’ roll aesthetics. Recorded at Mant Sounds under the expert production of Rob Schnapf and engineered by Matt Scheussler, this striking new album premieres today and signifies a potential shift in the contemporary rock narrative.
As a pivotal player within San Diego’s eclectic music scene, Eric Schroeder adeptly navigates the dynamics of chaos and clarity, and “Cat’s Game” showcases his most sophisticated orchestration to date. Collaborating with a tight-knit ensemble featuring Matt Scheussler (bass), Jake Richter (drums), and Aidan Finn (keys), Schroeder breathes life into every lyric, wrapping each composition in swirling authenticity and unfiltered emotional gravity.
Commencing with the soaring rock gem “High And Low,” listeners are immediately plunged into the heart of Eric’s introspective lyricism, capturing a spectrum of euphoria tinged with unintentionality, where moments of sorrow transmute into uplifting sentiments. The follow-up single “Emily” floats a unique form of bittersweet poetry, allowing audiences to resonate with a profound longing through emotive acoustics and nostalgic melodies. Furthermore, the slow-burning “Don’t Wanna Let You Go” effectively merges vulnerability with assertive musical grit in one unforgettable, gut-punching anthem.
Tracks like “As I Sit Here In My Car” and “I’ve Got Problems” demonstrate Schroeder’s exceptional proficiency in turning everyday occurrences into deeply relatable stories, marrying lyrical poetry with infectious grooves and cinematic soundscapes. Meanwhile, “Leave Me Sleeping” arises as a notable highlight, functioning as a haunting lullaby drenched in longing and lucid dreamlike clarity, further underscoring his capacity to encapsulate solitude in a captivating sonic framework.
Mid-album highlights, such as “My Big Brother,” “Slipstream,” and “Summer In The Psych Ward,” explores the chaotic interior of memory and identity, enhancing the psychological dimensions of Schroeder’s artistry. Finally, the closing track, “The Road To Recovery,” presents an achingly beautiful exhale, a tender, tremulous resolution to a defiant, emotionally rich album.
“Cat’s Game” is a crucial addition to any rock enthusiast playlist, reminding us of the enduring significance of music in contemporary culture. The album is an immersive manifesto of emotional honesty, dynamic storytelling, and fearless creativity. Eric Schroeder doesn’t just participate in this artistic endeavor; he is rewriting the rules with his enchanting vocal delivery. His rare gift for transmuting vulnerability into visceral musical encounters cements his reputation as a mesmerizing songwriter, a burgeoning force in today’s evolving music landscape, poised to make a significant impact.
For more information about Eric Schroeder, please visit [website].
CLICK HERE TO STREAM Eric Schroeder’s Album “Cat’s Game“ on Spotify.
CONNECT WITH Eric Schroeder | Instagram |
Mainstage
Kanye West’s $200K Monthly Child Support to Kim Kardashian Sparks Shockwaves

Kanye West’s bold assertion that he turns over $200,000 a month in child support to Kim Kardashian sparked a whole new level of discussion, and not merely due to the shocking numeral. Ye’s remark, which he tossed out casually during one of his recent spate of social media tirades, arrived without spreadsheets or receipts, but that was enough to send fans, critics, and financial analysts buzzing. It’s unclear whether that $200K is for all four of their kids or for each, but the number still puts him in the running for the highest child support payment for any individual child ever paid in U.S. history.
For context, previous celebrities in this arena, such as Alex Rodriguez and Charlie Sheen, have appeared in headlines for their large support payments, but none come close to Kanye’s aforementioned contribution. Diddy’s 2005 payment of $55K to Misa Hylton-Brim used to seem massive, but Ye’s got that in the rearview mirror. And yet, the answer is not all about a digit followed by five zeros. Its recording spotlights the fractured dynamic between Ye and Kim K, a relationship that’s in the process of unfolding for everyone to see. Kanye’s repeated accusations against the Kardashians, suggesting that they’ve manipulated him and even insinuating that they’re in a sex trafficking ring, have alarmed fans.
Check out this article: Sexyy Red Stirs the Pot with Daring DM Reveal While Dropping Fiery New Track “Hoochie Coochie”
And although Kim has largely played the high road in public, he has made statements that suggest a continued unrest below the surface of their co-parenting situation. What’s also troubling and fascinating is how this $200K confession fits into Ye’s larger narrative. No matter the intention, Kanye’s life in the aftermath of divorce is far from quiet. Whatever the true sum, Ye’s public reckoning with fatherhood, fame, and family is a drama that continues to fascinate.
-
News4 days ago
Jennifer Lopez Returns as Host for the 2025 American Music Awards
-
News3 days ago
Jenna Ortega Confirms ‘Wednesday’ Season 2 Release Date with Teaser Clip
-
Artist Spotlight4 days ago
Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”
-
Artist Spotlight6 days ago
Johanna Linnea Jakobsson delivers a wake-up call with genre-blending anthem ‘Work’
-
Interview6 days ago
Corey Holcomb Ignites Controversy with Claims About Will Smith’s Sexuality on “Funky Friday”
-
News3 days ago
Lizzo’s 2025 Fitness Journey Inspires Millions Worldwide
-
News6 days ago
Duke Dennis Opens Up About Scary China Arrest Over Bullet Mix-Up
-
Mainstage5 days ago
Submit Your Music to Be Featured in Our “Artist of the Week” Series