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Hit-Boy Narrates How He was Introduced to Nas Through Frank Ocean: A Story Revealed

Nas and Hit-Boy’s recent partnership has been legendary in the hip-hop industry. In just four years, they have released six albums, with three from the King’s Disease series and three from the Magic series. Their abundant production has received universal praise, especially the featured appearances by 50 Cent and Lil Wayne on Magic 2 and Magic 3.

In a recent interview with Rap Radar, Hit-Boy revealed the surprising origins of this fruitful partnership. According to the producer, he was introduced to Nas by none other than Frank Ocean. The introduction happened back in 2013 when Hit-Boy was working on a demo with Ocean.

“We met originally in like 2013. I did a demo with Frank Ocean and Frank Ocean played it for Nas. Me and Frank had a session of our own, we were just working on music and he did a hook he was like ‘yo I’m about to go work with Nas. I wanna play this hook for him.’ He played it and Nas was rocking with it,” Hit-Boy explained.

Eventually, the track transformed into “Royalty” from Nas’ Lost Tapes 2, but only Frank’s lyrics were kept in the final version.

In a post on Instagram last month, Hit-Boy further discussed his long-held desire to collaborate with Nas. He shared a note from his phone dated September 11th, 2011, where he expressed his wish to produce a Rihanna single and just three songs on a Nas album.

“Fast forward 12 years later and i’m 6 ALBUMS in with the God himself wow. How did we get here?!!,” Hit-Boy wrote.

The story of how Frank Ocean connected Hit-Boy and Nas is a testament to the power of networking and collaboration in the music industry. It also highlights the role of serendipity in shaping the course of music history.

As fans, we can only marvel at the string of albums that this introduction has produced and look forward to more collaborations from these talented artists in the future.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

Connect with Loris Tils on Spotify || Facebook || Instagram || Youtube || Soundcloud

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Artist Spotlight

Eddie Rose turns racing memories into music with “Stock Car Living”

Eddie Rose’s latest release, “Stock Car Living,” is a track that applauds the roar of engines and the rush of the track, and explores the quieter experiences that turn a sport into a beloved ceremony. What makes “Stock Car Living” so devastating and powerful is its sense of tradition as an inheritance.

The story begins in a living room on Sunday afternoon, with a young boy sitting next to his father watching stock car races on TV. This simple ritual, so easy to overlook in the moment, shapes an entire childhood. There is, to start with, a sense that the races are just noise, speed, and color. But as the story unfolds, the young narrator begins to sense that something far deeper is taking shape.

The song gently implies that love for something, especially when grounded in community and ritual, often comes not from telling but from observing. Eddie Rose, with “Stock Car Living,” captures the spirit of its racing culture not just as a spectacle but as a legacy, that sometimes the loudest engines house the quietest memories, which last the longest.

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