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ScHoolboy Q Drops Hints on Kanye West’s “Unfair” Cancellation in New Track “Blueslides”

ScHoolboy Q

ScHoolboy Q has been making waves with his latest album, Blue Lips, and it’s clear why fans have been buzzing. The standout track “Blueslides” is particularly intriguing, as it seems to take aim at a controversial figure in the music industry—most notably, Kanye West.

While Q hasn’t explicitly named names, speculation is rife that he’s referring to Kanye West as the artist who’s been “unfairly” canceled. Reddit user u/TheMisiak claims that Q gave it away during a live performance of the track, saying, “When Q performed ‘Blueslides,’ he didn’t censor himself like he did on the track itself. Just thought it was interesting that he waited until the tour to reveal who he was referencing.”

The reaction has been mixed. Some fans have taken to Reddit to voice their disappointment with Q’s defense of Kanye, citing the rapper’s controversial statements and actions in recent years. The debate rages on—whether Kanye deserves this support or not, ScHoolboy Q’s stance will definitely keep the conversation alive.

What’s your take? Will ScHoolboy Q and Kanye West collaborate in the future? Drop your thoughts in the comments below and keep up with Honk Magazine for the latest updates from the music world!

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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