Artist Spotlight
Sebastian Rydgren shares a catchy sound of his new single, “Hear Me Out” [Interview]

Sebastian Rydgren, a solo artist, is paving way in the music industry with his debut single, “Hear Me Out.” Influenced by prominent artists like Tove Lo, Troye Sivan, and Kylie Minogue, Sebastian brings a fresh and dynamic sonic vibe that resonates with the 80s’ nostalgic vibes. His passion for blending modern pop genres has culminated in a unique musical style that captivates listeners. Sebastian provides detailed insights into the creation, production, and inspiration behind “Hear Me Out,” along with his plans for future music projects and live performances related to his debut single in this exclusive interview.
Who are the band members, if any, and were there any particular artists, genres, or band’s main influences?
I am a solo artist. My music draws influence from artists like Tove Lo, Troye Sivan, and Kylie Minogue. He likes to mix and play with different genres, especially music from the 80s, and combine that with a modern pop sound.
Where was the single/EP/album recorded, and who was involved in its production? Name the record label, producer, and sound engineer who mixed and mastered the song.
My debut single, “Hear Me Out,” was produced and recorded by a well-established producer in Sweden called Johan Kronlund in collaboration with my record label, Metronica.
Regarding production, what aspects of “Hear Me Out” caught your attention? What were some of the critical production decisions that shaped the final sound, and how did they contribute to the overall sonic quality of the track?
“Hear Me Out” went through many different stages and phases. It started as a beautiful and raw ballad, but my team and I felt that a more upbeat and “clubby” sound would suit me better as a debutant. Johan Kronlund and I worked closely in the studio to create the right sound for the single, drawing much inspiration from my influences and Daya’s song “Bad Girl.”
Can you describe what inspired you to write “Hear Me Out”? Was there a particular ethos, music style, or events that sparked the songwriting process for this single/EP/album? How did you collaborate on the lyrics and melody?
The song is originally written by Alex Mood, Felix Svedestig Götesson, and Gracia Balandina. An early version of the song was presented to me by my team, and I was instantly drawn to the melodies.
How did you aim to take listeners on an emotional journey with the message or lyrical narrative you are trying to convey through this song? What feelings do you hope to evoke through the music so far?
The lyrics describe a feeling of emptiness that a lot of people can relate to. However, by adding an upbeat, dance-pop production, I want to convey a sense of positivity and hope.
Please briefly describe the song, the EP/Album, and the thinking behind the project? What does “Hear Me Out” mean to you personally? How does it reflect your growth as an artist?
My team and I have worked on a few different songs over the past year, and we concluded that “Hear Me Out” is an excellent first single representing me as an artist.
Do you have any favorable quotes from previous reviews or specific aspects, lines, and phrases of the song that you would happily share?
The response to my release has been very positive, and I’ve received many great reviews worldwide. The song has also been broadcast on several radio stations.
Did “Hear Me Out” create any standout moments or surprises that made it a memorable atmosphere or mood for you? If so, what were your biggest challenges, and how would you describe them?
I was surprised at how well it has been received and how widely it’s spread as a debut single. The fact that I’ve been invited for radio interviews and gotten to perform the song on different stages makes me so happy.
How do you envision performing this song live? Are there any special events, musical tours, and performances that fans should expect soon or plan to incorporate?
A few upcoming live shows are planned where I will perform “Hear Me Out” with my dancers. New dates are always booked, so the best way to know when and where I’ll perform is to follow me on Instagram (@Sebastianrydgren).
Is there a music video planned for this single? If so, can you share any insights into its concept? How does this single fit into your future musical plans? Is it part of a larger project, like an album or an EP?
There is no music video planned for “Hear Me Out” at the moment, but I hope to expand on the visual aspects of my music one day. The plan is to release new music during the fall, starting with two club remixes of “Hear Me Out” on August 9th.
CLICK HERE TO STREAM Sebastian Rydgren’s “Hear Me Out” on Spotify.
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Artist Spotlight
D. Edge drops irresistible new single “GO T.S.F.G.”

D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.
The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.
But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.
Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.
This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.
Artist Spotlight
Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”

“Old Man,” Peter Wilson’s newest song, is a raw intergenerational dialogue steeped in empathy and aching humanity. Written in collaboration with the now-deceased Utah Phillips, a legendary folk musician known as the “Golden Voice of the Great Southwest,” this song presents a moving narration through the eyes of someone society too often neglects.
With lyrics by Phillips and music by Wilson, “Old Man” unites two poets in time. The effect is a gorgeously stripped-down folk ballad that comes across less like a performance than a moment of authentic listening, like a man on a park bench finally telling you the truth about his life, and you can’t help but lean in. Wilson’s acoustic music is spare and stark, letting the story do the heavy lifting. Every chord sounds intentional, as if he’s allowing room for the words to breathe, not speeding them up, just allowing them to speak. His tone is steady and gentle, almost reverent, echoing and channeling the spirit of Phillips’ storytelling. Every note carries the respect you can hear.
However, what makes “Old Man” land so much harder is its unvarnished honesty. There’s no fancy version of homelessness here. No over-dramatization or overproduction. Just quiet, contemplative music that puts you in someone else’s frayed shoes. It’s the kind of song rarely written, inviting you to rest momentarily contemplate. The track feels timeless, rooted in classic folk, and has fresh emotional resonance. It resonates with today’s audience as incisively as it may have decades ago, reminding us that tales like this still play out on every street corner daily.
By combining Utah Phillips’ words with his musical setting, Peter Wilson has created more than a song. He’s made a vessel for compassion, memory, and our oneness as humans. “Old Man” has no interest in working for your attention. It quietly earns it.
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