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SIDE BANGS Takes Listeners on a Stellar Sonic Voyage with Captivating Single “Galaxies.”

SIDE BANGS

In the cosmic realm of musical exploration, SIDE BANGS’ latest single, “Galaxies,” emerges as a shining star, blending myriad genres to craft a sonic voyage that resonates deeply. With a fusion of psychedelic rock, trip-hop, and nostalgic undertones, this track encapsulates SIDE BANGS’ signature style, an enticing blend of emotive vocals, dark femininity, and cross-generational appeal.

As the third installment in SIDE BANGS’ masterful releases, “Galaxies” begins with an alluring bass groove accompanied by ethereal backup vocals and swirling synths. The genius of “Galaxies” is evident in its intricate production charm. When you think you have the song’s trajectory figured out, the track quickly shifts gears into trip-hop territory, featuring reverse drums and resonant bass lines that seem to echo from the ocean’s depths. 

The song launches into its astral odyssey with a searing guitar solo, accompanied by unconventional cymbal manipulations that add a distinct touch. Amidst this cosmic chaos, the angelic backup vocals sparkle, creating a mesmerizing contrast. The grand finale is a symphony of twinkling synths, xylophone accents, and intricate percussion layers that wrap around the listener like a celestial embrace.

The genesis of “Galaxies” is equally captivating. Penned by Stephanie Rodgers in response to a candid conversation about her songwriting’s melancholic nature, the track originated from a simple game of hangman and a serendipitous encounter with the word “Galaxies.” An inspiring narrative of defiance and determination follows, resulting in a love song transcending earthly boundaries.

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The collaborative effort behind the track’s production is a testament to its magnetic allure. Led by Stephanie Rodgers, a dynamic team of musicians, including Jeremy Stoddard Carroll, Uri Kleinman, Mark Marshall, Clara Lofaro, Denise Barbarita, and Robert Smith, have contributed their prowess to “Galaxies,” with mastering by Alan Silverman.

With Stephanie Rodgers taking the lead on vocals, backup vocals, guitar, and electronic drums, the song’s texture is further enriched by the contributions of Bryan Framhein on drums, Jonathan Toscano on bass, Mark Marshall on synth and guitar, Jeremy Stoddard Carroll on electronic drums and guitar, Jordan Perlson on various percussion, and David Patterson on mandolin and xylophone.

Located in the vibrant borough of Brooklyn, New York, SIDE BANGS ingeniously merges rock’s captivating, distinctive sounds with pop sensibilities to create a genuinely cosmic auditory experience. Their latest release, “Galaxies,” expertly showcases their band’s exceptional musical abilities as they skillfully weave tales of love and defiance that transcend the vast expanse of space.

In a world where music often mirrors the mundane, SIDE BANGS’ “Galaxies” stands out not just as a song; it’s an unforgettable sonic expedition. It propels listeners through a cosmic landscape fueled by SIDE BANGS’ creative vision and talent. With its brilliant celestial anomaly, pulsating rhythms, and enchanting vocals, the single captures the essence of exploration and emotion in a way only music can achieve. SIDE BANGS continues to be a trailblazer in the music scene, reminding us that the boundaries of sound are meant to be challenged and expanded.

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CLICK HERE TO STREAM SIDE BANGS’s Galaxies on Spotify.

CONNECT WITH SIDE BANGS | Instagram

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Artist Spotlight

D. Edge drops irresistible new single “GO T.S.F.G.”

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D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.

The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.

But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.

Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.

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This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.

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Artist Spotlight

Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”

Peter Wilson

“Old Man,” Peter Wilson’s newest song, is a raw intergenerational dialogue steeped in empathy and aching humanity. Written in collaboration with the now-deceased Utah Phillips, a legendary folk musician known as the “Golden Voice of the Great Southwest,” this song presents a moving narration through the eyes of someone society too often neglects.

With lyrics by Phillips and music by Wilson, “Old Man” unites two poets in time. The effect is a gorgeously stripped-down folk ballad that comes across less like a performance than a moment of authentic listening, like a man on a park bench finally telling you the truth about his life, and you can’t help but lean in. Wilson’s acoustic music is spare and stark, letting the story do the heavy lifting. Every chord sounds intentional, as if he’s allowing room for the words to breathe, not speeding them up, just allowing them to speak. His tone is steady and gentle, almost reverent, echoing and channeling the spirit of Phillips’ storytelling. Every note carries the respect you can hear.

However, what makes “Old Man” land so much harder is its unvarnished honesty. There’s no fancy version of homelessness here. No over-dramatization or overproduction. Just quiet, contemplative music that puts you in someone else’s frayed shoes. It’s the kind of song rarely written, inviting you to rest momentarily contemplate. The track feels timeless, rooted in classic folk, and has fresh emotional resonance. It resonates with today’s audience as incisively as it may have decades ago, reminding us that tales like this still play out on every street corner daily.

By combining Utah Phillips’ words with his musical setting, Peter Wilson has created more than a song. He’s made a vessel for compassion, memory, and our oneness as humans. “Old Man” has no interest in working for your attention. It quietly earns it.

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