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SIDE BANGS Takes Listeners on a Stellar Sonic Voyage with Captivating Single “Galaxies.”

SIDE BANGS

In the cosmic realm of musical exploration, SIDE BANGS’ latest single, “Galaxies,” emerges as a shining star, blending myriad genres to craft a sonic voyage that resonates deeply. With a fusion of psychedelic rock, trip-hop, and nostalgic undertones, this track encapsulates SIDE BANGS’ signature style, an enticing blend of emotive vocals, dark femininity, and cross-generational appeal.

As the third installment in SIDE BANGS’ masterful releases, “Galaxies” begins with an alluring bass groove accompanied by ethereal backup vocals and swirling synths. The genius of “Galaxies” is evident in its intricate production charm. When you think you have the song’s trajectory figured out, the track quickly shifts gears into trip-hop territory, featuring reverse drums and resonant bass lines that seem to echo from the ocean’s depths. 

The song launches into its astral odyssey with a searing guitar solo, accompanied by unconventional cymbal manipulations that add a distinct touch. Amidst this cosmic chaos, the angelic backup vocals sparkle, creating a mesmerizing contrast. The grand finale is a symphony of twinkling synths, xylophone accents, and intricate percussion layers that wrap around the listener like a celestial embrace.

The genesis of “Galaxies” is equally captivating. Penned by Stephanie Rodgers in response to a candid conversation about her songwriting’s melancholic nature, the track originated from a simple game of hangman and a serendipitous encounter with the word “Galaxies.” An inspiring narrative of defiance and determination follows, resulting in a love song transcending earthly boundaries.

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The collaborative effort behind the track’s production is a testament to its magnetic allure. Led by Stephanie Rodgers, a dynamic team of musicians, including Jeremy Stoddard Carroll, Uri Kleinman, Mark Marshall, Clara Lofaro, Denise Barbarita, and Robert Smith, have contributed their prowess to “Galaxies,” with mastering by Alan Silverman.

With Stephanie Rodgers taking the lead on vocals, backup vocals, guitar, and electronic drums, the song’s texture is further enriched by the contributions of Bryan Framhein on drums, Jonathan Toscano on bass, Mark Marshall on synth and guitar, Jeremy Stoddard Carroll on electronic drums and guitar, Jordan Perlson on various percussion, and David Patterson on mandolin and xylophone.

Located in the vibrant borough of Brooklyn, New York, SIDE BANGS ingeniously merges rock’s captivating, distinctive sounds with pop sensibilities to create a genuinely cosmic auditory experience. Their latest release, “Galaxies,” expertly showcases their band’s exceptional musical abilities as they skillfully weave tales of love and defiance that transcend the vast expanse of space.

In a world where music often mirrors the mundane, SIDE BANGS’ “Galaxies” stands out not just as a song; it’s an unforgettable sonic expedition. It propels listeners through a cosmic landscape fueled by SIDE BANGS’ creative vision and talent. With its brilliant celestial anomaly, pulsating rhythms, and enchanting vocals, the single captures the essence of exploration and emotion in a way only music can achieve. SIDE BANGS continues to be a trailblazer in the music scene, reminding us that the boundaries of sound are meant to be challenged and expanded.

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CLICK HERE TO STREAM SIDE BANGS’s Galaxies on Spotify.

CONNECT WITH SIDE BANGS | Instagram

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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