Indie
Soft Set ignites hope with its dreamy pop new single “Gone”
This stunning reintroduction of the Toronto-based dream-pop duo Soft Set delineates a meticulously layered auditory exploration with their latest single, “Gone,” which resonates long after its final note conclusion. The lead single from their forthcoming EP, “GONE,” embodies a delicate balance of melancholy and an uplifting paradox, reminiscent of a warm, hazy day that culminates in an unexpected chill in the air.
Renowned for exploring introspective and shadowy themes, James Gray and Nathan Athay intricately weave a tapestry of sound that pays homage to their influences, The Stone Roses, The Smiths, and My Bloody Valentine, while simultaneously preserving their unmistakable signature. “Gone” drenches listeners in lush harmonies and layered instrumental arrangements from the outset, evoking a dreamlike state one is reluctant to escape. What makes this track truly special is its evolution: conceived initially as a darker, moodier piece, it blossomed into something unexpectedly hopeful through the process of adding harmonies and nuanced textures.
The introspective lyrics possess a cathartic quality, enhanced by its ethereal arrangement. The juxtaposition of brooding undertones and a buoyant, almost celestial vibe gives “Gone” a magnetic complexity, inviting multiple listens to uncover every layer.
Soft Set continues to master the art of merging shoegaze, dream pop, and 90s Britpop into a sound that evokes nostalgia while remaining refreshingly contemporary. “Gone” is a gateway into the next chapter of their narrative, leaving audiences eager for what’s to come. It exemplifies the potential for even the most shadowy ideas to emanate luminosity through time, creativity, and a willingness to embrace change.
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CLICK HERE TO STREAM Soft Set’s “Gone“ on Spotify.
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Feyisayo Anjorin unveils the facade of deception and pretenders in the single “There’s Somebody Here”
“There’s Somebody Here” by Feyisayo Anjorin exemplifies a sophisticated synthesis of Afrobeat and soul-searching lyricism, shining a glaring light on human deception. Inspired by the timeless truth embedded in Lauryn Hill’s iconic “Forgive Them Father” and rooted in the haunting narrative of betrayal and pretense, spotlighting the archetype of Judas, the track mirrors the hypocrisy prevalent within the societal fabric of Nigeria, a milieu he intimately understands, where the outward piety frequently obscures deep-seated dishonesty.
Musically, the song immediately wraps you in a rhythmic pulse reminiscent of legends like Orlando Owoh’s traditionalism, King Sunny Ade, and Majek Fashek while integrating the soulful melancholia characteristic of reggae. This production is enriched with vibrant guitar loops and subtle, hypnotic percussion. Anjorin’s vocal performance is compelling and exudes a sincerity yet magnetic allure, balancing a reflective calm with an undertone of urgency as he positions himself as both a narrative conveyer and a whistleblower.
Lyrically, it’s a masterclass in allegory. The impactful line, “In every gathering, there is always that person who isn’t there for the common good,” resonates with piercing clarity, forcing listeners to reflect on their circles and the masks we wear. Anjorin’s insights transcend superficial critique, echoing the unvarnished truths rather than mere accusations akin to the moral wisdom traditionally imparted by an elder around a communal fire. The Judas metaphor evolves beyond its biblical connotations to foster a broader dialogue regarding distrust and the resilience inherent in navigating such complexities.
What distinguishes “There’s Somebody Here” is its adept pairing of thematically rich content with infectious musicality. It is a cautionary tale woven into its sonic landscape, prompting introspection alongside an immersive rhythmic experience, fostering a desire for repeated listening.
Feyisayo Anjorin’s latest single accentuates his diverse artistic capabilities, positioning him not only as a musician but also as a screenwriter, novelist, and songwriter unafraid to dissect the intricacies of societal norms. Ultimately, the composition stands as an audacious reminder there’s always somebody lurking in the shadows, urging listeners to awaken not only to new possibilities but also to the stark realities that frequently lie hidden behind the familiar facade.
CLICK HERE TO STREAM Feyisayo Anjorin’s “There’s Somebody Here“ on Spotify.
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Indie
The Conscious Underground’s ‘Love Yourself’ Elevates the Soul with a Groundbreaking Fusion
The Conscious Underground has just released their exciting new single, “Love Yourself,” a vibrant mix of jazz, reggae, and R&B that will get stuck in your head. The song is filled with energy and feels genuine, blending the catchy rhythms of reggae with the heartfelt melodies of R&B and the intricate beats of jazz.
One standout feature of “Love Yourself” is the innovative use of a voice effect, making it the first reggae song to incorporate this incredible sound. This fresh approach shows the band’s dedication to evolving their music while staying true to reggae’s roots.
So far, “Love Yourself” has made a big splash in the music world, reaching #1 on the Canadian reggae charts and landing at #5 in the UK. These accomplishments highlight the song’s wide appeal and The Conscious Underground’s growing popularity.
With its memorable tunes, deep rhythms, and uplifting message, “Love Yourself” encourages listeners to celebrate self-love and authenticity. If you haven’t heard it yet, now is the perfect time to check out the sound of The Conscious Underground!
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