Artist Spotlight

Sqwerv to Debut “Mirage” at Cervantes’ Otherside Album Release Show on September 7

Denver’s psych-rock band Sqwerv’s new studio album, Mirage, marks a departure from the stripped-down simplicity of its Hors D’oeuvres EP series—a trio of bite-sized offerings with three to four songs on each that the band recorded earlier this year in their living-room practice space.

“‘Hors D’oeuvres’ trilogy was more of a palate cleanser. The songs were stripped-down and experimental with extended jams, while the music on ‘Mirage’ is more complex, composed, and utilizes the benefits of a music studio to the fullest,” notes guitarist and vocalist Guy Frydenlund. “The goal with this one was to keep improvisation at a minimum and precision and composition front and center.”

Alongside bassist Caden Kramer, keyboardist Jack Marty, and drummer Zach Bulgarelli, Frydenlund weaves elements of theater, foley artistry, and synth-infused grooves into its music bedrock that covers everything from heavy metal riffs to gentle acoustic guitar passages.

The four-piece will debut songs off Mirage live on Saturday, September 7, at their album release show at Cervantes’ Otherside, the same day the record is available on all streaming platforms. Chirp and Denver-based Break Signals are also on the bill.

Recorded in February 2024 at The Keep Recording studios in Denver, the seven-song Mirage explores a variety of sounds, incorporating multiple guitar tones, keyboards, pianos, and string sections. “We crafted ‘Mirage’ with vocal harmonies, layered instrumentation, and studio-driven production so that each track feels like its own unique journey,” says Frydenlund.

Boasting assorted sonic elements throughout the effort, some cuts on Mirage include “King George,” which introduces a lush string section composed by Marty, ushering the band’s first foray into orchestral arrangements in the studio. “Polaris” ventures into new territory with its blend of heavy psychedelic riffs. Notably, the two cuts “Morning Song” and “King George” feature lead vocals by Kramer and Marty, introducing their debut as vocalists on a Sqwerv studio album.

A standout track on the album, “When the Dust Settles,” delivers a cinematic experience with its theatrical sound design. “We wanted something that could sonically transport listeners onto a ship sailing the open ocean, conjuring an adventure reminiscent of The Odyssey,” explains Frydenlund, referencing the poem by the ancient Greek poet Homer.

Artist Spotlight

Remy Reilly Brings Soulful Fire in New Anthem ‘Dirty Work’

With every notice she sings, Remy Reilly makes you experience like she’s lived one hundred lives, and her ultra-modern launch, “Dirty Work,” isn’t any exception. Reilly’s one-of-a-kind pop-rock sound paired with her uncooked, soulful vocals makes “Dirty Work” an emotional rollercoaster that doesn’t let you off till you’ve confronted every bit of ache from past relationships—and come out more potent on the other facet.

“Dirty Work” is a candid confessional, deepening into the aftermath of betrayal. Reilly’s lyrics, steeped in vulnerability and self-reflection, explore the fear of intimacy and the relentless questions we ask ourselves after being harmed: “Am I enough?” “Will I ever be enough?” Her honesty creates a poignant reference to anybody who has discovered themselves lost in self-doubt and insecurity. But it’s now not all bleak—Reilly crafts an anthem of resilience, showcasing her journey to reclaim her self-confidence after heartbreak.

The effective manufacturing from John Pedigo at Modern Electric Sound Recorders enhances Reilly’s narrative superbly, enveloping her raspy, emotional delivery with a soundscape that propels her message forward. Each notice appears like a step taken towards the last purpose of self-attractiveness and personal empowerment. Todd Pipes’ studying of “Dirty Work” is the final contact that gives this tune its polished side, making it now not just a tune but an experience.

Whether you’re restoring from a past date or, in reality, want a reminder of your very own strength, “Dirty Work” hits its subjects. Remy Reilly’s honesty, vulnerability, and unapologetic resilience are precisely what we need to close out the 12 months—proof that even if others fail us, the work we do on ourselves is never in vain.

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Artist Spotlight

Janiq’s ‘Dior’ Brings Smooth Vibes and Unmistakable Swagger

Janiq‘s latest single, “Dior,” showcases a masterful blend of confidence and smooth sonic energy, drawing listeners into a realm of auditory luxury. The track encapsulates the essence of an upscale nightlife experience, characterized by a polished production that features a captivating amalgamation of rhythmic elements and melodic lines.

The instrumental backbone of “Dior” is driven by a moody, laid-back arrangement, fusing soft keyboard textures, a robust bassline, and precision-engineered percussion. The production quality is pristine, allowing each sonic layer to breathe while providing ample space for Janiq’s vocal articulation to shine. His delivery is characterized by a sophisticated execution that effortlessly transitions between melodic verses and infectious hooks, creating a seamless listening experience.

Janiq encapsulates themes of luxury and self-assuredness, utilizing imagery that bridges high-end aspirations with relatable experiences. His lyrical narrative evokes a sense of ambition and swagger, resonating with listeners drawn to the excitement of dressing up and stepping out into the night. Each line is crafted to elevate both the artist’s and the listener’s confidence.

“Dior” serves as an ideal auditory backdrop for moments of self-expression and stylish escapades. Janiq’s recent release encapsulates embracing personal confidence, reveling in life’s finer moments, and immersing oneself in the music’s intoxicating vibe. With its smooth vocal delivery and undeniable groove, “Dior” is poised to be a repeat favorite, prompting listeners to elevate their volume and fully engage with the experience.