Artist Spotlight
Sqwerv to Debut “Mirage” at Cervantes’ Otherside Album Release Show on September 7
Denver’s psych-rock band Sqwerv’s new studio album, Mirage, marks a departure from the stripped-down simplicity of its Hors D’oeuvres EP series—a trio of bite-sized offerings with three to four songs on each that the band recorded earlier this year in their living-room practice space.
“‘Hors D’oeuvres’ trilogy was more of a palate cleanser. The songs were stripped-down and experimental with extended jams, while the music on ‘Mirage’ is more complex, composed, and utilizes the benefits of a music studio to the fullest,” notes guitarist and vocalist Guy Frydenlund. “The goal with this one was to keep improvisation at a minimum and precision and composition front and center.”
Alongside bassist Caden Kramer, keyboardist Jack Marty, and drummer Zach Bulgarelli, Frydenlund weaves elements of theater, foley artistry, and synth-infused grooves into its music bedrock that covers everything from heavy metal riffs to gentle acoustic guitar passages.
The four-piece will debut songs off Mirage live on Saturday, September 7, at their album release show at Cervantes’ Otherside, the same day the record is available on all streaming platforms. Chirp and Denver-based Break Signals are also on the bill.
Recorded in February 2024 at The Keep Recording studios in Denver, the seven-song Mirage explores a variety of sounds, incorporating multiple guitar tones, keyboards, pianos, and string sections. “We crafted ‘Mirage’ with vocal harmonies, layered instrumentation, and studio-driven production so that each track feels like its own unique journey,” says Frydenlund.
Boasting assorted sonic elements throughout the effort, some cuts on Mirage include “King George,” which introduces a lush string section composed by Marty, ushering the band’s first foray into orchestral arrangements in the studio. “Polaris” ventures into new territory with its blend of heavy psychedelic riffs. Notably, the two cuts “Morning Song” and “King George” feature lead vocals by Kramer and Marty, introducing their debut as vocalists on a Sqwerv studio album.
A standout track on the album, “When the Dust Settles,” delivers a cinematic experience with its theatrical sound design. “We wanted something that could sonically transport listeners onto a ship sailing the open ocean, conjuring an adventure reminiscent of The Odyssey,” explains Frydenlund, referencing the poem by the ancient Greek poet Homer.
You might be surprised to discover that Sqwerv’s catalog spans from twelve-minute prog epics to concise, two-minute love songs. “We enjoy complex Phish songs, but we also really like simple Khruangbin or Mac DeMarco tracks.”
If you’re catching Sqwerv debuting their new tracks at Cervantes’ Otherside, don’t be surprised if the band lets the jams breathe and stretch. As Frydenlund puts it, “The beauty of these songs is that they have room to extend.”
This approach of letting “the music do the talking” is a testament to Sqwerv’s growth since their formation in 2017. What began with local open jams and gigs at smaller clubs has evolved into support slots for iconic acts like George Clinton and Parliament Funkadelic at the Ogden Theater. Sqwerv has also shared the stage with notable bands such as Spafford, Magic Beans, Squeaky Feet, Eminence Ensemble and more.
“We put a lot of effort into building a genuine connection with our audience, the music, and ourselves,” Frydenlund concludes. “We dedicate time to honing our craft and growing as musicians, and we aim to showcase that on stage, letting our true voice speak for itself.”
Sqwerv, 8 p.m./doors 7 p.m. Saturday, September 7, Cervantes’ Otherside, 2637 Welton Street, Denver. Tickets are $27.90.
Follow Sqwerv:
Facebook: www.facebook.com/Sqwerv
Instagram: www.instagram.com/sqwerv
Website: https://sqwerv.com/
Spotify: https://open.spotify.com/artist/3xrbKno8shx3H22Xz8omC8
YouTube: www.youtube.com/@sqwerv1796/featured
BandCamp: https://sqwerv.bandcamp.com
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
-
Artist Spotlight7 days agoLisa Boostani creates a mesmerizing tidal realm in “Ocean”
-
Artist Spotlight7 days agoNinjahtiger & Jahlnt make a “Wish” into the universe with new single
-
Artist Spotlight7 days agoNOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
-
Artist Spotlight7 days agoEylsia Nicolas ascends again with new release “I Remember Rising”
-
Artist Spotlight7 days agoIOTA opens the truest form of self in captivating new single “Pony”
-
Artist Spotlight7 days agoBenjamin Navy explores intimacy, healing, and cultural memory in “Mango Avocado”
-
Artist Spotlight7 days agoBluridge enters the global scene with debut release “On Top Of The World”
-
Artist Spotlight7 days agoMinna LaFortune delivers strength with new anthem “African Women”