Hip-Hop
Super Saiyan Jay bakes up a vibe with “Medicated”
With “Medicated,” Super Saiyan Jay and King Dev, deliver a thoughtful track. The latest release of his newly released project, “High In The Bakery,” is a rare moment of unity, clarity, and craft from an artist stepping fully into his voice. Jay has described this as his most cohesive work to date, and on “Medicated,” he makes a convincing argument for that statement. The track draws you into its mellow world with deliberate ease. There’s confidence in the sound, and it allows the listener to settle into the vibe rather than chase it.
“Medicated” is keeping its cards close, and that’s what makes it hit. Jay is vibing and letting the beat do just as much talking as his lyrics. That flow has a lived-in quality, as though he’s been here before and now knows how to say it right. The production fully complements that energy, with every bit of the song feeling deliberate, as if you’re being drawn deeper into the world of “Medicated.” Its emotional undercurrent is what puts “Medicated” over the edge. It’s the headspace, the getting away, the psychic reset that sometimes accompanies it.
That’s the “in-between time” when things slow down enough for the truth to rise. If you’re listening for the wordplay or just along for the surf, there’s something about the way this song flows along the shore. “Medicated” expresses an artist who has spent enough time discovering his own sound and is now welcoming all of us to it unfiltered. The track stands as a moment of ease and elevation in the grander body of work and a reminder that less is more. Jay’s found his lane, and he’s flowing in it on purpose.
Artist Spotlight
GMG_Grizz brings melodic rap and undeniable attitude on latest release “Something Slight”
GMG_Grizz is here with “Something Slight,” officially released as “Something Slight Freestyle,” a rap record built on confidence, personal ambition and lyrical self-assurance. The St. Louis artist’s track, embraces the familiar brag-track approach, but gives it an interesting musical direction through its melodic rap delivery. The title itself is indicative of the mindset going into the release, showing the artist’s ability to spit dope flows and bars as just something natural, not some Herculean effort.
The flowing piano movement and the bouncing rhythm is what makes this freestyle worth revisiting. These elements make the record sound familiar but still keep the arrangement catchy and accessible. GMG_Grizz’s direction is more toward confidence and individuality, someone who is comfortable with his work ethic and the lifestyle he portrays. The melodic approach also gives the track a different personality than a straight rap performance, allowing its rhythm to carry much of the appeal.
“Something Slight” is a tantalising taste of where GMG_Grizz is heading musically. There’s room for him to explore this sound further, but the piano and rhythmic bounce provide a foundation for keeping the track interesting. A confident freestyle with a personality that you can recognise and re-play value.
Connect with GMG_Grizz on Spotify || Soundcloud
Artist Spotlight
Séhkou unveils a beautiful connection between faith and intimacy on latest release “Song of Songs 1:3-4 (I Know)”
Romance meets spiritual expression in Séhkou’s new single, “Song of Songs 1:3-4 (I Know),” featuring Angélica Allen. The release provides a fresh take on attraction and intimacy. The song blends hip-hop with soul and R&B influences, celebrating a bond between two people who genuinely choose and cherish each other. Rather than the indecision of chasing after someone who keeps their distance, it’s about mutual affection, desire, and the reassurance of being wanted back.
I particularly appreciate the solemn flute that flows throughout the track. This gives the arrangement an interesting musical character and strengthens the connection between the romantic and spiritual themes. The rap rhythm is also noteworthy, bringing a different feel to the track, while keeping the lyrical focus front and center.
Allen’s spoken-scripture intro and outro provide an important framework for the record, connecting its expressions of intimacy to a sense of reverence. Song of Songs 1:3-4 (I Know) has something meaningful to offer listeners who appreciate music that goes beyond surface attraction to explore love. Séhkou blends hip-hop, soul, R&B, and spiritual expression thoughtfully.
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