Entertainment
That Was Fast! Safaree’s Back Booed Up With Erica Mena, Apologizes For ‘Disrespecting’ Wife
Safaree’s issuing an apology for his behavior to his wife Erica Mena after telling the world that he’s a “bachelor.” …
Well, well, well, that was fast…
Source: (Photo by Aaron J. Thornton/Getty Images) / (Photo by Aaron J. Thornton/Getty Images)
Safaree’s had a change of heart and the badman’s issuing a likkle apology to his wife. As previously reported Safaree made headlines when he told his followers that he was a “bachelor” and hinted that he’d be divorcing his wife Erica Mena.
He also hinted that he blocked his wife on his iPhone and Erica seemingly pettily responded by showing their baby girl’s face ahead of the baby’s scheduled music video debut.
Apparently, all is back well in the Samuels household, and Safaree’s issuing an apology for his behavior.
“A man is nothing without his family,” Safaree captioned a post on IG. “ Im not a bachelor & I love my wife I would never disrespect the mother of my child or wife. Sorry for being childish & Salute to all the real men out there 💪🏾.”
Sounds like Erica got someone STRAAAAIT.
In related news, Safaree’s also dropped the music video for “CREDIT” starring his daughter Safire Majesty. In it, the adorable baby girl crawls to the camera and is held by her father while she wears a panda-colored fur coat.
Erica Mena is currently mum on the latest public spat with her spouse. Instead, she’s preparing to celebrate her 33rd birthday on November 8.
What do YOU think about Safaree apologizing to Erica Mena?
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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