Music
The Best New Hip-Hop This Week
Getty Image / Uproxx Studios Uproxx’s new column includes albums, videos, and songs from Megan Thee Stallion, Jeezy, Chief Keef, and more. …
Welcome to The Best New Hip-Hop This Week! You may have noticed that my usual column, The Best Hip-Hop Albums Coming Out This Week… did not come out this week. You also may have noticed that Uproxx’s other faithful hip-hop column, All The Best New Rap Music To Have On Your Radar, is also kaput, as its author Andre Gee has moved on from Uproxx. We wish him well and we’re all very proud of him.
His departure has left a void, however — a void that must be filled, due to both the laws of nature and the hunger hip-hop fans have for new writing about the latest and the greatest content the culture has to offer. To that end, this new column will sort of combine both the old columns into a “best of both worlds” situation, only without the creepy R. Kelly connection. Basically, I’ll be a one-man Watch The Throne — or Super Slimey, if you’re a little younger/more Southern — delivering commentary on all the best releases in hip-hop each week, from albums to songs to videos and even the occasional Verzuz battle. It’s a work in progress, so bear with us as we get this thing off the ground.
Here is the best of hip-hop this week ending November 20, 2020.
Albums
Courtney Bell — Poverty Stricken
Detroit newcomer Courtney Bell brings streetwise raps and progressive thinking to his debut tape, which features a verse from TDE’s Reason. Riding the line between backpacker’s density and mainstream accessibility, Bell counts Nipsey Hussle as one of his primary influences.
Jeezy — The Recession 2
Smartly pairing the release of his latest album to the hotly anticipated Verzuz battle between himself and former rival Gucci Mane, Jeezy gave a preview of what to expect from the sequel to his fan-favorite 2008 album with the single “Therapy To My Soul.”
LVRN — Home For The Holidays
Hip-hop could always use more Christmas albums. 6lack, Boogie, Summer Walker, and the gang are more than happy to oblige.
Megan Thee Stallion — Good News
Overshadowing just about any other release this year, Houston hottie Megan Thee Stallion finally delivers her long-awaited major-label debut album. Boasting appearances from Big Sean, City Girls, DaBaby, Lil Durk, Popcaan, SZA, and Young Thug, it’s certainly a star-studded affair. However, ahead of its release, fans’ attention remained sharply focused on the opening track “Shots Fired,” on which Megan was expected to finally address her alleged shooting by Tory Lanez on record. The song didn’t disappoint, using Biggie’s “Who Shot Ya?” to refute Tory’s smear campaign.
Rexx Life Raj — California Poppy 2
Over the course of the last few years, Berkeley’s Rexx Life Raj has carved himself a lane as a provider of mellow, thoughtful tunes that weave breezily between soothing R&B singing and tongue-twisting, eyebrow-raising rap. The sequel to his popular 2018 EP delivers more of the same, from the motivational “Tesla In A Pandemic” to the boastful “Look At This.”
Russ — Chomp
Refocusing fans’ attention on his raps instead of his antics, Russ hangs right in there with rap luminaries like Black Thought and Busta Rhymes, even though he ultimately becomes an afterthought on most of his own EP.
YSN Flow — Long Story Short
Ohio rapper YSN Flow has been building his buzz over the past year and a half, paying off their patience with this mixtape produced by Iceberg Beatz.
Events
Verzuz: Gucci Mane Vs. Jeezy
In what could very well have been the best Verzuz matchup yet, two of Atlanta trap rap’s founding fathers met up for the first time in fifteen years to dispel all the bad blood between them — of which there is plenty. Of course, it wasn’t all water under the bridge; Gucci Mane brought some serious aggression to Atlanta’s fabled Magic City, where the battle took place, dredging up quarrelsome mixtape classics like the taunting “Truth.” In the end, as always, the real winner was the culture, as the two united to perform their only collaboration (and the song that kicked off their feud in the first place), “So Icy.” The battle ended with the sense the pair would never be friends but would at least keep the violence to a minimum — for the kids.
Singles
Boldy James feat. Stove God Cooks — “Thousand Pills”
Old-fashioned boom-bap drug rap at its finest.
Kembe X feat. Ab-Soul & IceColdBishop — “Back At It”
Ab-Soul goes bonkers on this one, Kembe X does his thing, and newcomer IceColdBishop brings uncommon energy.
YFN Lucci — “September 7th”
A heartbroken anthem of betrayal and survival, Lucci is at his caterwauling best.
Yung Baby Tate — “Rainbow Cadillac”
Bringing the same sort of raucous, estrogen-powered energy as Flo Milli did earlier this year, the Atlanta rapper introduces her next phase.
Videos
Chief Keef & Mike Will Made-It — “Status”
One part horror movie score, one part classic drill revenge fantasy, “Status” reunites the two collaborators seven years after Keef’s debut album.
Lil Tjay — “Move On”
Mellow guitars and heavy 808s backdrop Lil Tjay’s wistful anti-love letter.
Saweetie feat. Jhene Aiko — “Back To The Streets”
The long-awaited video references everything from the beauty shop to Steven Spielberg.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
CONNECT WITH Sadie Brown | Instagram |
Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
CONNECT WITH Tom Minor | Facebook |
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