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The Best New Hip-Hop This Week

Getty Image / Uproxx Studios Uproxx’s new column includes albums, videos, and songs from Megan Thee Stallion, Jeezy, Chief Keef, and more. …

Welcome to The Best New Hip-Hop This Week! You may have noticed that my usual column, The Best Hip-Hop Albums Coming Out This Week… did not come out this week. You also may have noticed that Uproxx’s other faithful hip-hop column, All The Best New Rap Music To Have On Your Radar, is also kaput, as its author Andre Gee has moved on from Uproxx. We wish him well and we’re all very proud of him.

His departure has left a void, however — a void that must be filled, due to both the laws of nature and the hunger hip-hop fans have for new writing about the latest and the greatest content the culture has to offer. To that end, this new column will sort of combine both the old columns into a “best of both worlds” situation, only without the creepy R. Kelly connection. Basically, I’ll be a one-man Watch The Throne — or Super Slimey, if you’re a little younger/more Southern — delivering commentary on all the best releases in hip-hop each week, from albums to songs to videos and even the occasional Verzuz battle. It’s a work in progress, so bear with us as we get this thing off the ground.

Here is the best of hip-hop this week ending November 20, 2020.

Albums

Courtney Bell — Poverty Stricken

Detroit newcomer Courtney Bell brings streetwise raps and progressive thinking to his debut tape, which features a verse from TDE’s Reason. Riding the line between backpacker’s density and mainstream accessibility, Bell counts Nipsey Hussle as one of his primary influences.

Jeezy — The Recession 2

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Smartly pairing the release of his latest album to the hotly anticipated Verzuz battle between himself and former rival Gucci Mane, Jeezy gave a preview of what to expect from the sequel to his fan-favorite 2008 album with the single “Therapy To My Soul.”

LVRN — Home For The Holidays

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Hip-hop could always use more Christmas albums. 6lack, Boogie, Summer Walker, and the gang are more than happy to oblige.

Megan Thee Stallion — Good News

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Overshadowing just about any other release this year, Houston hottie Megan Thee Stallion finally delivers her long-awaited major-label debut album. Boasting appearances from Big Sean, City Girls, DaBaby, Lil Durk, Popcaan, SZA, and Young Thug, it’s certainly a star-studded affair. However, ahead of its release, fans’ attention remained sharply focused on the opening track “Shots Fired,” on which Megan was expected to finally address her alleged shooting by Tory Lanez on record. The song didn’t disappoint, using Biggie’s “Who Shot Ya?” to refute Tory’s smear campaign.

Rexx Life Raj — California Poppy 2

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Over the course of the last few years, Berkeley’s Rexx Life Raj has carved himself a lane as a provider of mellow, thoughtful tunes that weave breezily between soothing R&B singing and tongue-twisting, eyebrow-raising rap. The sequel to his popular 2018 EP delivers more of the same, from the motivational “Tesla In A Pandemic” to the boastful “Look At This.”

Russ — Chomp

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Refocusing fans’ attention on his raps instead of his antics, Russ hangs right in there with rap luminaries like Black Thought and Busta Rhymes, even though he ultimately becomes an afterthought on most of his own EP.

YSN Flow — Long Story Short

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Ohio rapper YSN Flow has been building his buzz over the past year and a half, paying off their patience with this mixtape produced by Iceberg Beatz.

Events

Verzuz: Gucci Mane Vs. Jeezy

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In what could very well have been the best Verzuz matchup yet, two of Atlanta trap rap’s founding fathers met up for the first time in fifteen years to dispel all the bad blood between them — of which there is plenty. Of course, it wasn’t all water under the bridge; Gucci Mane brought some serious aggression to Atlanta’s fabled Magic City, where the battle took place, dredging up quarrelsome mixtape classics like the taunting “Truth.” In the end, as always, the real winner was the culture, as the two united to perform their only collaboration (and the song that kicked off their feud in the first place), “So Icy.” The battle ended with the sense the pair would never be friends but would at least keep the violence to a minimum — for the kids.

Singles

Boldy James feat. Stove God Cooks — “Thousand Pills”

Old-fashioned boom-bap drug rap at its finest.

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Kembe X feat. Ab-Soul & IceColdBishop — “Back At It”

Ab-Soul goes bonkers on this one, Kembe X does his thing, and newcomer IceColdBishop brings uncommon energy.

YFN Lucci — “September 7th”

A heartbroken anthem of betrayal and survival, Lucci is at his caterwauling best.

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Yung Baby Tate — “Rainbow Cadillac”

Bringing the same sort of raucous, estrogen-powered energy as Flo Milli did earlier this year, the Atlanta rapper introduces her next phase.

Videos

Chief Keef & Mike Will Made-It — “Status”

One part horror movie score, one part classic drill revenge fantasy, “Status” reunites the two collaborators seven years after Keef’s debut album.

Lil Tjay — “Move On”

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Mellow guitars and heavy 808s backdrop Lil Tjay’s wistful anti-love letter.

Saweetie feat. Jhene Aiko — “Back To The Streets”

The long-awaited video references everything from the beauty shop to Steven Spielberg.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Dominique Xishak questions the search for love and money on latest release “Delusional”

Dominique Xishak

Dominique Xishak takes a confrontational approach to modern relationship expectations with “Delusional”, a rap track that questions what some people demand from a partner and what they bring to a relationship themselves. The song focuses on the perceived gap between wanting an ideal man and being willing to offer the same level of commitment, honesty, and personal responsibility. Rather than approaching romance with a soft touch, Xishak uses a direct lyrical perspective to challenge these expectations.

The track raises questions about appearances, personal choices, and the motivations behind seeking a partner. Its subject matter includes cosmetic surgery, the pressure to meet certain physical ideals, and the possibility that financial status can become more important than genuine connection. Xishak also addresses the tension between demanding a good partner and overlooking the qualities that make a healthy relationship possible. These themes give the song a provocative edge and invite listeners to consider the standards they set for themselves and others.

“Delusional“ positions Dominique Xishak as a voice willing to tackle uncomfortable conversations about dating, attraction, and relationship priorities. The message is deliberately challenging, encouraging debate about whether people are truly searching for meaningful partnerships or pursuing an ideal shaped by appearances and money. It is a track designed to provoke reactions and get listeners talking.

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Artist Spotlight

Shadowspell invites listeners into a world of fear and defiance on latest release “CYANIDE”

Shadowspell

Shadowspell’s latest hard-hitting single, “CYANIDE,” explores disturbing thoughts, fear, and the struggle with sanity, pulling listeners into a disquieting world of inner darkness. Big drums and guitars drive the song, creating a powerful atmosphere for its troubled emotional landscape. Its central thesis is chillingly provocative, darkness is no longer in the past, but has settled in.

The song’s lyrics drop the listener into a mind where scary voices are a strange kind of survival, and nowhere else seems safe. Shadowspell doesn’t push fear away; it brings it to the front and center, inviting listeners to face the unsettling thoughts and feelings at the song’s heart. The lush instrumentation gives this tension a gritty edge that suits the song’s defiant spirit.

If you enjoy exploring darker musical territories, CYANIDE delivers a heavy, intense listening experience that blends heavy drums, powerful guitars, and psychologically charged themes. Shadowspell embraces awkwardness, not smoothing it over, and makes a track that sounds raw, confrontational, and unashamedly uncomfortable. The result is a record that exposes inner turmoil and demands that the listener confront the shadows instead of simply turning away.

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