Music
The Best New Hip-Hop This Week
Getty Image / Uproxx Studios Uproxx’s new column includes albums, videos, and songs from Megan Thee Stallion, Jeezy, Chief Keef, and more. …

Welcome to The Best New Hip-Hop This Week! You may have noticed that my usual column, The Best Hip-Hop Albums Coming Out This Week… did not come out this week. You also may have noticed that Uproxx’s other faithful hip-hop column, All The Best New Rap Music To Have On Your Radar, is also kaput, as its author Andre Gee has moved on from Uproxx. We wish him well and we’re all very proud of him.
His departure has left a void, however — a void that must be filled, due to both the laws of nature and the hunger hip-hop fans have for new writing about the latest and the greatest content the culture has to offer. To that end, this new column will sort of combine both the old columns into a “best of both worlds” situation, only without the creepy R. Kelly connection. Basically, I’ll be a one-man Watch The Throne — or Super Slimey, if you’re a little younger/more Southern — delivering commentary on all the best releases in hip-hop each week, from albums to songs to videos and even the occasional Verzuz battle. It’s a work in progress, so bear with us as we get this thing off the ground.
Here is the best of hip-hop this week ending November 20, 2020.
Albums
Courtney Bell — Poverty Stricken
Detroit newcomer Courtney Bell brings streetwise raps and progressive thinking to his debut tape, which features a verse from TDE’s Reason. Riding the line between backpacker’s density and mainstream accessibility, Bell counts Nipsey Hussle as one of his primary influences.
Jeezy — The Recession 2
Smartly pairing the release of his latest album to the hotly anticipated Verzuz battle between himself and former rival Gucci Mane, Jeezy gave a preview of what to expect from the sequel to his fan-favorite 2008 album with the single “Therapy To My Soul.”
LVRN — Home For The Holidays
Hip-hop could always use more Christmas albums. 6lack, Boogie, Summer Walker, and the gang are more than happy to oblige.
Megan Thee Stallion — Good News
Overshadowing just about any other release this year, Houston hottie Megan Thee Stallion finally delivers her long-awaited major-label debut album. Boasting appearances from Big Sean, City Girls, DaBaby, Lil Durk, Popcaan, SZA, and Young Thug, it’s certainly a star-studded affair. However, ahead of its release, fans’ attention remained sharply focused on the opening track “Shots Fired,” on which Megan was expected to finally address her alleged shooting by Tory Lanez on record. The song didn’t disappoint, using Biggie’s “Who Shot Ya?” to refute Tory’s smear campaign.
Rexx Life Raj — California Poppy 2
Over the course of the last few years, Berkeley’s Rexx Life Raj has carved himself a lane as a provider of mellow, thoughtful tunes that weave breezily between soothing R&B singing and tongue-twisting, eyebrow-raising rap. The sequel to his popular 2018 EP delivers more of the same, from the motivational “Tesla In A Pandemic” to the boastful “Look At This.”
Russ — Chomp
Refocusing fans’ attention on his raps instead of his antics, Russ hangs right in there with rap luminaries like Black Thought and Busta Rhymes, even though he ultimately becomes an afterthought on most of his own EP.
YSN Flow — Long Story Short
Ohio rapper YSN Flow has been building his buzz over the past year and a half, paying off their patience with this mixtape produced by Iceberg Beatz.
Events
Verzuz: Gucci Mane Vs. Jeezy
In what could very well have been the best Verzuz matchup yet, two of Atlanta trap rap’s founding fathers met up for the first time in fifteen years to dispel all the bad blood between them — of which there is plenty. Of course, it wasn’t all water under the bridge; Gucci Mane brought some serious aggression to Atlanta’s fabled Magic City, where the battle took place, dredging up quarrelsome mixtape classics like the taunting “Truth.” In the end, as always, the real winner was the culture, as the two united to perform their only collaboration (and the song that kicked off their feud in the first place), “So Icy.” The battle ended with the sense the pair would never be friends but would at least keep the violence to a minimum — for the kids.
Singles
Boldy James feat. Stove God Cooks — “Thousand Pills”
Old-fashioned boom-bap drug rap at its finest.
Kembe X feat. Ab-Soul & IceColdBishop — “Back At It”
Ab-Soul goes bonkers on this one, Kembe X does his thing, and newcomer IceColdBishop brings uncommon energy.
YFN Lucci — “September 7th”
A heartbroken anthem of betrayal and survival, Lucci is at his caterwauling best.
Yung Baby Tate — “Rainbow Cadillac”
Bringing the same sort of raucous, estrogen-powered energy as Flo Milli did earlier this year, the Atlanta rapper introduces her next phase.
Videos
Chief Keef & Mike Will Made-It — “Status”
One part horror movie score, one part classic drill revenge fantasy, “Status” reunites the two collaborators seven years after Keef’s debut album.
Lil Tjay — “Move On”
Mellow guitars and heavy 808s backdrop Lil Tjay’s wistful anti-love letter.
Saweetie feat. Jhene Aiko — “Back To The Streets”
The long-awaited video references everything from the beauty shop to Steven Spielberg.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
Kovei ignites a rallying cry with the mighty latest release “Mercy”
Kovei is back with the hard-hitting hip-hop statement “Mercy,” a fusion of bold storytelling and a strong sense of purpose. The Los Angeles-based South Asian American rapper and producer delivers a track steeped in resistance, unity, and community strength, while also embracing rich desi musical influences that make the record its own.
The song starts with an Desi-influenced flute melody that immediately grabs the ear, before a punchy kick drum kicks in to establish its commanding vibe. Kovei’s confident delivery drives each verse with surgical precision, balancing lyrical intensity with ease of flow. Lines like “Mercy, we don’t play fair” set the fearless tone. “we the big dogs, big boss, BET TV famous” reinforces the triumphant spirit, but the song never loses sight of its deeper message.
Nihar and Shivan’s standout appearances add additional depth to the record, reinforcing the communal theme of the song while augmenting Kovei’s vision. Each artist’s contribution doesn’t feel like a separate feature, but instead contributes to one unified performance that raises the track’s anthemic quality.
This release is further enhanced by an official music video directed by Darsh Thakker and produced by Chaotic Neutral Studios. The visual presentation, in addition to the single, takes the song’s bold identity to another level but simultaneously highlights its message of resilience and solidarity.
Artist Spotlight
C’batch delivers love, reflections and new beginning through “Next Time (I Won’t Be Falling)” (EP)
C’batch’s latest EP, “Next Time (I Won’t Be Falling),“ is a soulful exploration of the never-ending cycle that is love. It’s a release that combines intimacy with looking ahead, blending emotion with cinematic ambition. The EP embraces the ambiguity that follows, instead of providing a clean resolution to heartbreak.
This EP is a sneak peek of C’batch’s upcoming album, “The Vault 4 – Cinematic,” set for release on July 10, 2026, that will go deeper into the emotional universe. The project begins with “Next Time (I Won’t Be Falling),” a nicely balanced, measured balance of strength and openness that captures the emotional tension between self-protection and hope for another chance. “Next Time (I Won’t Be Falling) (2)” gives the same emotional struggle from a more reflective perspective, letting the feelings settle with more maturity and quiet conviction.
“Next Time (I Won’t Be Falling)1a“ tells a different story, with similar emotions reinterpreted with musical shifts, adding to the experience but still resonating with the core message of the EP. The release is completed with the cinematic version of “Next Time (I Won’t Be Falling) Cinematic Version 2,“ a sweeping song with cinematic textures that turns the title track into an immersive sound and offers a glimpse of the creative direction behind “The Vault 4 – Cinematic.“
Another point of connection in C’batch’s expanding catalog, “Next Time (I Won’t Be Falling),“ also supplies the creative inspiration for the two companion versions of “Fluorescent Buzz (You Got Me Falling)“ on the EP of the same name. These releases represent an artist consciously creating a connected musical universe that is growing in emotional depth, storytelling, and cinematic production.
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Album Review4 days agoC’batch delivers a soulful dancefloor experience with “The Vault 3 – Club / Dance / R&B-Soul / Funk / Pop / Techno / Etc.”
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Artist Spotlight4 days agoThe Hospital explores love’s quiet exit in new single “Shampoo”
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Artist Spotlight7 days agoOwen Rivera turns summer romance into an irresistible experience with “LaiLuv”
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Artist Spotlight7 days agoBenji Miller captures the weight of loving someone through depression on “Hey Darcey”
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Album Review4 days agoLAOR delivers “ÊMOONÀ,” a sacred ceremony of faith, light and remembrance (album)
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Artist Spotlight7 days agoAurealis explores inner darkness on the cinematic pop single “Cursed”
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Artist Spotlight7 days agoHanna Andréa turns screen addiction into pop gold with “Get Off Your Phone”
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Artist Spotlight4 days agoC’batch delivers love, reflections and new beginning through “Next Time (I Won’t Be Falling)” (EP)

