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The Best New Hip-Hop This Week

Getty Image / Uproxx Studios Uproxx’s new column includes albums, videos, and songs from Megan Thee Stallion, Jeezy, Chief Keef, and more. …

Welcome to The Best New Hip-Hop This Week! You may have noticed that my usual column, The Best Hip-Hop Albums Coming Out This Week… did not come out this week. You also may have noticed that Uproxx’s other faithful hip-hop column, All The Best New Rap Music To Have On Your Radar, is also kaput, as its author Andre Gee has moved on from Uproxx. We wish him well and we’re all very proud of him.

His departure has left a void, however — a void that must be filled, due to both the laws of nature and the hunger hip-hop fans have for new writing about the latest and the greatest content the culture has to offer. To that end, this new column will sort of combine both the old columns into a “best of both worlds” situation, only without the creepy R. Kelly connection. Basically, I’ll be a one-man Watch The Throne — or Super Slimey, if you’re a little younger/more Southern — delivering commentary on all the best releases in hip-hop each week, from albums to songs to videos and even the occasional Verzuz battle. It’s a work in progress, so bear with us as we get this thing off the ground.

Here is the best of hip-hop this week ending November 20, 2020.

Albums

Courtney Bell — Poverty Stricken

Detroit newcomer Courtney Bell brings streetwise raps and progressive thinking to his debut tape, which features a verse from TDE’s Reason. Riding the line between backpacker’s density and mainstream accessibility, Bell counts Nipsey Hussle as one of his primary influences.

Jeezy — The Recession 2

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Smartly pairing the release of his latest album to the hotly anticipated Verzuz battle between himself and former rival Gucci Mane, Jeezy gave a preview of what to expect from the sequel to his fan-favorite 2008 album with the single “Therapy To My Soul.”

LVRN — Home For The Holidays

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Hip-hop could always use more Christmas albums. 6lack, Boogie, Summer Walker, and the gang are more than happy to oblige.

Megan Thee Stallion — Good News

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Overshadowing just about any other release this year, Houston hottie Megan Thee Stallion finally delivers her long-awaited major-label debut album. Boasting appearances from Big Sean, City Girls, DaBaby, Lil Durk, Popcaan, SZA, and Young Thug, it’s certainly a star-studded affair. However, ahead of its release, fans’ attention remained sharply focused on the opening track “Shots Fired,” on which Megan was expected to finally address her alleged shooting by Tory Lanez on record. The song didn’t disappoint, using Biggie’s “Who Shot Ya?” to refute Tory’s smear campaign.

Rexx Life Raj — California Poppy 2

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Over the course of the last few years, Berkeley’s Rexx Life Raj has carved himself a lane as a provider of mellow, thoughtful tunes that weave breezily between soothing R&B singing and tongue-twisting, eyebrow-raising rap. The sequel to his popular 2018 EP delivers more of the same, from the motivational “Tesla In A Pandemic” to the boastful “Look At This.”

Russ — Chomp

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Refocusing fans’ attention on his raps instead of his antics, Russ hangs right in there with rap luminaries like Black Thought and Busta Rhymes, even though he ultimately becomes an afterthought on most of his own EP.

YSN Flow — Long Story Short

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Ohio rapper YSN Flow has been building his buzz over the past year and a half, paying off their patience with this mixtape produced by Iceberg Beatz.

Events

Verzuz: Gucci Mane Vs. Jeezy

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In what could very well have been the best Verzuz matchup yet, two of Atlanta trap rap’s founding fathers met up for the first time in fifteen years to dispel all the bad blood between them — of which there is plenty. Of course, it wasn’t all water under the bridge; Gucci Mane brought some serious aggression to Atlanta’s fabled Magic City, where the battle took place, dredging up quarrelsome mixtape classics like the taunting “Truth.” In the end, as always, the real winner was the culture, as the two united to perform their only collaboration (and the song that kicked off their feud in the first place), “So Icy.” The battle ended with the sense the pair would never be friends but would at least keep the violence to a minimum — for the kids.

Singles

Boldy James feat. Stove God Cooks — “Thousand Pills”

Old-fashioned boom-bap drug rap at its finest.

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Kembe X feat. Ab-Soul & IceColdBishop — “Back At It”

Ab-Soul goes bonkers on this one, Kembe X does his thing, and newcomer IceColdBishop brings uncommon energy.

YFN Lucci — “September 7th”

A heartbroken anthem of betrayal and survival, Lucci is at his caterwauling best.

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Yung Baby Tate — “Rainbow Cadillac”

Bringing the same sort of raucous, estrogen-powered energy as Flo Milli did earlier this year, the Atlanta rapper introduces her next phase.

Videos

Chief Keef & Mike Will Made-It — “Status”

One part horror movie score, one part classic drill revenge fantasy, “Status” reunites the two collaborators seven years after Keef’s debut album.

Lil Tjay — “Move On”

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Mellow guitars and heavy 808s backdrop Lil Tjay’s wistful anti-love letter.

Saweetie feat. Jhene Aiko — “Back To The Streets”

The long-awaited video references everything from the beauty shop to Steven Spielberg.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Neurolapse opens up buried feelings into a rebellious release “Fvck These Feelings”

Neurolapse

Neurolapse channel released feelings that had been held inside for too long with “Fvck These Feelings.” That emotional urgency also translates into the writing process itself, with some of the lyrics coming in the early hours of the morning and insisting on being put down. From there, it was developed into a track that turns personal emotional pressure into a collective experience for listeners.

What is interesting about the song is the tension between the emotional base it draws on and the freedom it seeks to create. The song is born of the difficulty of releasing painful feelings, but its effect is anything but restrained. The band wants the song to make listeners dance, shout along, and let go of the emotions they have been carrying. This gives “Fvck These Feelings” an intuitive quality, turning frustration and emotional exhaustion into an opportunity to let go.

Something is refreshing about the song’s directness. Instead of bottling up feelings and keeping them a secret, “Fvck These Feelings” celebrates the messy process of letting them out. It gives people a chance to identify what they’ve been holding on to, and a place to let it out. Neurolapse takes a tough internal experience and turns it into something energetic, expressive, and communal. This is a track designed not simply to be heard, but to be felt and released through movement.

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Artist Spotlight

KUILL unveils a testimony from the pain of memory on latest release “Last Night”

KUILL

KUILL‘s latest release, “Last Night” is a very human approach to memory. It is about those moments we only realize were important after they are already gone. This song is not about a specific event, but about growing up, about time passing and about people and places we once assumed would always be there. Its emotional core is born of the painful realization that a final moment rarely announces itself as it unfolds.

“Last Night” is subtle yet cinematic, letting KUILL’s signature voice do the heavy lifting in telling the story. His restrained vocal delivery creates space for the listener to bring his own memories. Its shimmering world can be the last evening before leaving home, a family holiday, or a carefree summer with childhood friends. The result is intimate, yet it doesn’t constrain the listener’s interpretation.

The artwork accompanying the piece enhances that feeling with broken reflections of KUILL, placing him between past and present. It’s the essence of the song: memories tend to fade with time and become less about the details of what happened and more about how those times made us feel. “Last Night” takes that quiet sadness and lets you sit with it.

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