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The Best New Hip-Hop This Week

Getty Image / Uproxx Studios Uproxx’s new column includes albums, videos, and songs from Megan Thee Stallion, Jeezy, Chief Keef, and more. …

Welcome to The Best New Hip-Hop This Week! You may have noticed that my usual column, The Best Hip-Hop Albums Coming Out This Week… did not come out this week. You also may have noticed that Uproxx’s other faithful hip-hop column, All The Best New Rap Music To Have On Your Radar, is also kaput, as its author Andre Gee has moved on from Uproxx. We wish him well and we’re all very proud of him.

His departure has left a void, however — a void that must be filled, due to both the laws of nature and the hunger hip-hop fans have for new writing about the latest and the greatest content the culture has to offer. To that end, this new column will sort of combine both the old columns into a “best of both worlds” situation, only without the creepy R. Kelly connection. Basically, I’ll be a one-man Watch The Throne — or Super Slimey, if you’re a little younger/more Southern — delivering commentary on all the best releases in hip-hop each week, from albums to songs to videos and even the occasional Verzuz battle. It’s a work in progress, so bear with us as we get this thing off the ground.

Here is the best of hip-hop this week ending November 20, 2020.

Albums

Courtney Bell — Poverty Stricken

Detroit newcomer Courtney Bell brings streetwise raps and progressive thinking to his debut tape, which features a verse from TDE’s Reason. Riding the line between backpacker’s density and mainstream accessibility, Bell counts Nipsey Hussle as one of his primary influences.

Jeezy — The Recession 2

Smartly pairing the release of his latest album to the hotly anticipated Verzuz battle between himself and former rival Gucci Mane, Jeezy gave a preview of what to expect from the sequel to his fan-favorite 2008 album with the single “Therapy To My Soul.”

LVRN — Home For The Holidays

Hip-hop could always use more Christmas albums. 6lack, Boogie, Summer Walker, and the gang are more than happy to oblige.

Megan Thee Stallion — Good News

Overshadowing just about any other release this year, Houston hottie Megan Thee Stallion finally delivers her long-awaited major-label debut album. Boasting appearances from Big Sean, City Girls, DaBaby, Lil Durk, Popcaan, SZA, and Young Thug, it’s certainly a star-studded affair. However, ahead of its release, fans’ attention remained sharply focused on the opening track “Shots Fired,” on which Megan was expected to finally address her alleged shooting by Tory Lanez on record. The song didn’t disappoint, using Biggie’s “Who Shot Ya?” to refute Tory’s smear campaign.

Rexx Life Raj — California Poppy 2

Over the course of the last few years, Berkeley’s Rexx Life Raj has carved himself a lane as a provider of mellow, thoughtful tunes that weave breezily between soothing R&B singing and tongue-twisting, eyebrow-raising rap. The sequel to his popular 2018 EP delivers more of the same, from the motivational “Tesla In A Pandemic” to the boastful “Look At This.”

Russ — Chomp

Refocusing fans’ attention on his raps instead of his antics, Russ hangs right in there with rap luminaries like Black Thought and Busta Rhymes, even though he ultimately becomes an afterthought on most of his own EP.

YSN Flow — Long Story Short

Ohio rapper YSN Flow has been building his buzz over the past year and a half, paying off their patience with this mixtape produced by Iceberg Beatz.

Events

Verzuz: Gucci Mane Vs. Jeezy

In what could very well have been the best Verzuz matchup yet, two of Atlanta trap rap’s founding fathers met up for the first time in fifteen years to dispel all the bad blood between them — of which there is plenty. Of course, it wasn’t all water under the bridge; Gucci Mane brought some serious aggression to Atlanta’s fabled Magic City, where the battle took place, dredging up quarrelsome mixtape classics like the taunting “Truth.” In the end, as always, the real winner was the culture, as the two united to perform their only collaboration (and the song that kicked off their feud in the first place), “So Icy.” The battle ended with the sense the pair would never be friends but would at least keep the violence to a minimum — for the kids.

Singles

Boldy James feat. Stove God Cooks — “Thousand Pills”

Old-fashioned boom-bap drug rap at its finest.

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Kembe X feat. Ab-Soul & IceColdBishop — “Back At It”

Ab-Soul goes bonkers on this one, Kembe X does his thing, and newcomer IceColdBishop brings uncommon energy.

YFN Lucci — “September 7th”

A heartbroken anthem of betrayal and survival, Lucci is at his caterwauling best.

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Yung Baby Tate — “Rainbow Cadillac”

Bringing the same sort of raucous, estrogen-powered energy as Flo Milli did earlier this year, the Atlanta rapper introduces her next phase.

Videos

Chief Keef & Mike Will Made-It — “Status”

One part horror movie score, one part classic drill revenge fantasy, “Status” reunites the two collaborators seven years after Keef’s debut album.

Lil Tjay — “Move On”

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Mellow guitars and heavy 808s backdrop Lil Tjay’s wistful anti-love letter.

Saweetie feat. Jhene Aiko — “Back To The Streets”

The long-awaited video references everything from the beauty shop to Steven Spielberg.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Electronic

WONDERLOST makes waves with latest single “Bully Man”

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WONDERLOST’s newest single, “Bully Man,” is a genre-blurring ride that cruises like a sailboat across sunlit waters. Direct from the heart of St. John in the U.S. Virgin Islands, this is an invitation to slow down, take a deep breath, and have the rhythm carry you home. “Bully Man” is a potent mix of roots reggae, jam band alchemy, and dreamlike electronic haze. It’s a melodic cocktail that goes down easy, with deep basslines throb like the heartbeat of the island, as hypnotic delays and dub textures radiate outward like heat from the Caribbean Sea.

Jared’s voice is warm, inviting, and effortlessly soulful, leading listeners through a story in homage to the life-rich culture of his island home. The song’s message is cloaked in sunny positivity, “Bully Man” is reflective, genuine, and pounding with authenticity. There’s something transgendant about this track. It’s the sort of song that requires nothing, just your time and your ears. It’s best tasted with salt on your skin and the horizon wide open, like a soundtrack for golden-hour escape.

And while its island roots are deep, the song doesn’t remain tethered. WONDERLOST slipped in occasional electronic swells and moments of improvisational flair, suggesting something more exploratory and open to evolution. It’s that mix of tradition and innovation that gives “Bully Man” its appeal. WONDERLOST is trying to ride the wave. And with “Bully Man,” they’ve released a sun-soaked track that invites you to slow down, tune in, and drift a little with nothing but rhythm, a little soul, and a ton of heart.

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Music

Evalyn’s “Boys Girls” is a daydream in rewind

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If you’ve ever found yourself plopped down in your bedroom, staring at a dusty old shoebox full of polaroids, desperately wishing you could hit rewind on life, then Evalyn’s latest single “Boys Girls” may just be your new favorite escape hatch. Infused with dreamy melody, “Boys Girls” is a love letter to those rose-tinted memories that we carry around in our back pockets. With a rich cinematic quality that evokes riffling through a scrapbook of summers long gone, Evalyn manages to capture that universal longing for the past and compress it into three minutes of pure, exuberant memories.

“Boys Girls” welcomes you into its soft-focus realm, a sort of alternate universe where time moves just a bit slower and the feeling hits just a bit harder. Evalyn’s vocal sails in a manner that’s so close to touch, wistful and bright, like seeing yourself in an old car window that’s parked outside a high school party. It’s that kind of song that immediately sends you back through time, to when your life felt simpler and messier at the same time. There is a striking tension in “Boys Girls,” it pines away for what was, and enjoys the way we remember it. It is not about reliving the past so much as reclaiming the way it made us feel. The freedom. The chaos. Not knowing what will happen next.

It surrenders to that emotional pull with polished production that harkens back to the days of retro pop classics, while still sounding fresh. It’s the sort of track you want blasting out of the car stereo on a night drive with the windows down and heart swelling. “Boys Girls” is a mirror for anyone who’s ever glanced over their shoulder and smiled, even despite the sting. It’s vulnerable, and it’s entirely unforgettable. With this release, Evalyn not only takes us down memory lane, she makes us fall in love with it all over again.

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