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Tory Lanez Caught Off Guard By Quarantine Radio Troll

Tory Lanez’s last few months haven’t exactly been fruitful. It all started after it was reported that he had been arrested in connection with the discharge of a firearm during a night out with Megan Thee Stallion. A few weeks later, Meg accused Tory of shooting her in the foot, which led to a strong reaction on social media as fans and artists looked to distance themselves from the Canadian artist. Since that time, Tory has maintained his innocence, despite being hit with formal charges against him. The artist even dropped an album called Daystar where he attempted to tell his side of the story.

Now, Lanez has gone back to doing his Quarantine Radio show although, at this point, it seems as though escaping the trolls is going to be almost impossible to do. In the clip below, Tory was taking calls when all of a sudden, a man called in and continuously said “you shot Megan Thee Stallion,” until Tory was forced to hang up and try to take a different caller.

Throughout the trolling attempt, Tory seemed taken aback although he attempted to hide it by continuing to talk and explain to the audience that more women were trying to call in. Overall, it made for a painfully awkward moment that certainly made the troll feel satisfied.

As for Tory, he has stated that he plans to continue living his life as normal, which means there will certainly be more Quarantine Radio episodes in the future, even if the trolls may persist.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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