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Trump Campaign Trolls Kamala Harris By Saving Seat For 2Pac At VP Debate
Kamala Harris can wear all the Timberlands she wants but it doesn’t look like she’s getting a pass for her Tupac gaffe anytime soon.
Social media clowned Harris mercilessly after she said in an interview that her favourite rapper alive was none other than the late great Tupac Shakur … who passed away in September 1996.
Now, the Trump campaign is applying the pressure on the Democratic vice-presidential candidate for her blunder.
“I can confirm that we have left a ticket for Tupac Shakur, who as we know is Senator Harris’ favorite rapper alive,” Trump campaign senior adviser Jason Miller told reporters this afternoon.
Kevork Djansezian/Getty Images
Harris was mocked relentlessly for awkwardly explaining her slip-up with “I keep doing that.” Even Donald Trump, Jr. stepped into the ring with some insults of his own but we doubt that he’s any more a fan than she is.
“I don’t know if he shows up. I’m personally more of a Biggie fan if he’s still alive, but we will have a ticket waiting for Mr. Shakur,” Miller joked.
The funny thing is, Pac pulling up to the debate wouldn’t even be the craziest thing to happen this year. Hopefully he wears a mask.
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
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