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21 Savage & Metro Boomin’s “Savage Mode II” Not An “Official” Pen & Pixel Cover

When 21 Savage and Metro Boomin unveiled the nostalgic album cover for Savage Mode II, it was quickly reported to have been laced by Pen & Pixel. For those who don’t know, Pen & Pixel was originally founded by brothers Shawn and Aaron Brauch, who previously worked at J. Prince’s Rap-A-Lot Records. Since transitioning into graphic design, they went on to lace countless classic covers including Snoop Dogg’s Da Game Is To Be Sold, Not To Be Told,Let Em Burn by the Hot Boys, Doin Thangs by Big Bear (an arguable best, according to some), 400 Degreez by Juvenile, and many more.

And though Pen & Pixel did work on designing the cover for Savage Mode II, the final version was different from the design they contributed. During an interview with the Breaking Atoms podcast, Shawn Brauch broke down their involvement in Savage Mode II, and how it ultimately went on to change in the final released version. 

“The cover that you see out there has elements of the original cover,” he explains. “The full cover was done and done to the specifics that were indicated, and the team came back and said ‘we want to make these major changes.’ However, the deadline was the 17th and they came back to me on the 16th. 

And I was like ‘But I got it done on the 14th because you had a major deadline for release on the 17th.’ But they were like ‘we want to make these major changes’ and I was like ‘wow, that is shocking to me after going through all of these details and I said my heart is not in that.”

“I said I could certainly do that for you,” he continues. “I said I’ll send you a new invoice and we can move on to what your changes are going to be, and I never heard from them again. And I delivered my deliverables to them and I never heard from them again. And then the next time I see the cover come out, I’m like ‘wow, so that’s it’. I was shocked to see it come out, obviously, and I was shocked to see that there were that many changes done to the cover.”

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From the sound of it, the designing process of Savage Mode II’s beloved cover was not as smooth as initially believed. For those interested in checking out the original artwork as designed by Pen & Pixel, you can do so at their official website right here. While not entirely dissimilar, it’s clear that there were a few creative differences given the changes made — not to mention the disappointment evident in Brock’s statement.  Be sure to catch the full interview with Shawn Brock on Breaking Atoms when it drops on October 20th.  Which cover do you prefer?

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E.G. Phillips unveils where silence speaks the loudest on new release “Empathy for the Night Fly”

E.G. Phillips

The mood of E.G. PHILLIPS’s “Empathy for the Night Fly” is instantly cinematic, dark, introspective, and frozen in time. The track sounds like a scene from a late-night club where everything slows down just enough for feelings to come out. The arrangement is jazz-like in that it lets each part breathe. The arpeggiating Rhodes piano comes and goes, giving the impression that the music is thinking, as if it’s moving.

The song is really about recognition, which is when you hear something in someone else’s voice that reminds you of your own experience. It’s subtle, almost fragile, but it has a big effect on people. That emotional connection is what holds the piece together.

That choice seems deliberate, even defiant. It asks the listener to pay attention differently, not just passively. Every break is a part of the story. E.G. Phillips doesn’t just make the mood; he keeps it going. In that space, “Empathy for the Night Fly” becomes a quiet, powerful look at memory, connection, and shared feelings.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Firecamino maintains folk storytelling with new release “Juan The Baptist”

Firecamino

“Juan the Baptist” is a stunning single by Firecamino, blending vivid storytelling with charming melody. The laid-back indie song with folk and country influences sounds like an ancient story told around a campfire after a long night.

The song’s central character is a misguided hero, vulnerable and human. Firecamino emphasizes imperfection over perfection, creating a relatable protagonist. That storytelling gives the song a cinematic, intimate feel.

“Juan the Baptist” handles several musical influences well. Folk-inspired writing and country textures add emotion and familiarity. Meanwhile, the cool indie vibe smooths the edges and lets the track flow naturally without being dramatic.

Connect with Firecamino on Spotify || Instagram || Youtube

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