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50 Cent Celebrates Pop Smoke’s Return To #1 On Billboard 200

Pop Smoke’s Shoot For The Stars Aim For The Moon has returned to the top of the charts. The posthumous debut from the late Brooklyn star did astonishing numbers upon its release. Stacked with features from the biggest stars of hip-hop, including EP 50 Cent, and a deluxe edition filled with collaborations alongside Brooklyn drill’s finest, it was a celebration of the short yet impactful career of the brightest new artist out of New York.

The project was in a tight race this week to notch the top spot. 21 Savage and Metro Boomin’s Savage Mode II was on pace to sell around the same amount in its second week but Pop reigned supreme, selling 67K album-equivalent units. Fif hit the ‘Gram to celebrate the feat, writing, “this shit number one again @roddyricch I told you she want to fuck wit the Woo, but i ain’t gonna front that 21 Savage shit is slapping they both #1 to me right now.”

Interestingly enough, 50 Cent has his imprint on both albums, though Pop’s more heavily than Savage Mode II. 21 Savage and Metro Boomin pay homage on “Many Men” off of their second joint project, sampling the 2003 single on the outro and interpolating the hook throughout the song. Of course, Fif contributed to “The Woo” alongside Roddy Ricch and played a pivotal role in bringing the project alive.

“I told 50 I’m not in a place where I can personally listen to his music so I’m not even thinking about putting an album out,” Steven Victor, Pop Smoke’s manager, recounted telling 50 Cent after Pop’s passing. However, it was Fif that ultimately convinced him to put the album out for the summer like Pop wanted, as well as building a legacy while the momentum is high. Evidently, it was proven successful, as we’ve witnessed with the latest update of the Billboard 200. 

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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