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Kris Zaga: Up Next In The Music Industry

You might not know the man, but when you hear his music it sticks.

“Music is everything. I live and dream about music. Apart from family, music is what I love the most. It keeps me healthy, thinking positively. My music is about me and what I have been through; all the rants in my head,” Uzoma Nwachukwu, 34, popular as Kris Zaga, tells The Guardian.

The peculiar thing about the Portharcourt-born and US-based Afro-Pop Singer is not just his style of music alone, but the content of his songs which are heavily woven around socio-conscious themes and Christian gospel. Well, that is apart from the fact that he is a licensed Medical Practitioner.

“I’m a medical personnel. A nurse is always a Nurse, as they say. I learned so much in my career and I like to care for people, encourage, and motivate. I’m a Christian and I think independently, whom I am is shaped by my struggles in life, education and family. I was able to combine both music and Nursing Sciences.”

From his debut Publik Figure album, released globally in 2011, Kris Zaga has churned out musical critiques of the gory realities in Nigeria, as well as odes to his native town of Etche in Portharcourt.

His music resonates mostly with the youth, but still cut across other age grades as they inspire, educate and entertain.

According to him, his musical influences are firstly from his parents, then from the new wave of musicians, such as Davido, Wizkid, Burna-boy, Tyler The Creator and Drake.

He said, “Both my parents are musicians; my dad was a DJ, he would always travel to various states and communities where they have events, burials to play for them. He had all kinds of music similar to DJs today and also co-wrote songs with popular oriental brothers.

“My mother, on the other hand, was a woman leader who coordinates events, songs for women during events. She also sang in church and has a very good voice. I would always follow her to local events and play drums. I would say my parents basically influenced my choice of music. It has always been there as a kid and at some point it needed to come out.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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