Entertainment
Tyla Yaweh Drops Official “Tommy Lee” Remix With Post Malone & Tommy Lee
The initial release of “Tommy Lee” by Tyla Yaweh and Post Malone sounded like a pop smash, bringing both forces together following Tyla’s signing to Post’s manager. The new remix, which includes instrumentation from Tommy Lee himself, turns the song into a rock hit.
The legendary Tommy Lee has officially given his blessing to up-and-comer Tyla Yaweh, hopping on the song titled after his namesake. He brings a new punch to “Tommy Lee,” providing hard drumming and electric guitar-based production for the pair of rappers to work magic over.
“I’m excited to be releasing records with my idols,” said Tyla about the new remix. “I first had Billie Joe Armstrong clear a sample for me and hop in my last video with Wiz Khalifa. Now I’ve got a legendary track with this bad ass Rockstar Tommy Lee and my brother Post Malone. This track is so special to me!!! I also got Travis Barker on my album, so it’s like Rockstar shit everywhere on RAGER BØY!!!”
Tommy also added his two cents, saying, “I was humbled that Tyla and Post chose to name a song after me. I couldn’t wait to get my hands on it with them and give it my spin. We had a blast! They are the new rockstars! I love them both!”
Listen to the remix below.
Quotable Lyrics:
I changed my color to Nipsey blue
Your racks, it get small, that shit pitiful
If you tryna get so physical
That .45 will make you invisible
I’m livin’ my life like a criminal
I call this shit First 48
I been quiet, there’s no one to blame, yeah
My lawyer said we beat the case
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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