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Benjamin Keough, Grandson of Elvis & Pricilla Presley, Dies At 27

Benjamin Keough, grandson of Elvis and Priscilla Presley, and son of Lisa Marie Presley, died at 27-years-old, Sunday, in an apparent suicide.

Elvis PresleyKeystone / Getty Images

Lisa Marie’s manager, Roger Widynowski, sent a statement to TMZ providing an update on the situation: “She is completely heartbroken, inconsolable, and beyond devastated but trying to stay strong for her 11-year-old twins and her oldest daughter Riley,” he said. “She adored that boy. He was the love of her life.”

While TMZ adds that Keough tends to stay out of the spotlight, his sister Riley is a successful actress who has starred in Mad Max: Fury RoadAmerican Honey, as well as the Starz series The Girlfriend Experience.

Benjamin was known for his striking resemblance to his grandparents, Elvis and Priscilla. 

“Ben does look so much like Elvis. He was at the Opry and was the quiet storm behind the stage.” Lisa Marie said of Benjamin, “Everybody turned around and looked when he was over there. Everybody was grabbing him for a photo because it is just uncanny.”

Benjamin landed a record deal in 2009 worth $5 million, and is credited in a handful of small films but has not done much else publically. His father was musician Danny Keough.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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