Entertainment
Doctors Find Coronavirus In Unborn Child While In Womb
Doctors in France have found what is believed to be the first confirmed case of an unborn child contracting the coronavirus. A new study titled “Transplacental transmission of SARS-CoV-2 infection,” says a 23-year-old woman gave birth to a boy who immediately tested positive for COVID-19.
Andressa Anholete / Getty Images
After being born by a cesarean section, the child was rush to the natal intensive care unit. There he was tested for the coronavirus.
The doctors found evidence of inflammation caused by the coronavirus: “The placenta showed signs of acute and chronic intervillous inflammation consistent with the severe systemic maternal inflammatory status triggered by SARS-CoV-2 infection,” the authors said.
They ruled out the chance that the baby caught the virus after birth by viral or bacterial means. This is the first case were doctors could confirm the child did not contract the virus immediately after being born.
The doctors in France wrote, “We have demonstrated that the transplacental transmission of SARS-CoV-2 infection is possible during the last weeks of pregnancy.
“Other cases of potential perinatal transmission have recently been described, but presented several unaddressed issues,” the authors said.
The lead author of the study, Daniele De Luca, says there is no need for pregnant mothers to worry: “Pregnancy is very controlled, and if you have something like this, it can be controlled. In most cases, there will be no damage to the baby.”
The boy was discharged 18 days later after fully recovering.
[Via]
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
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Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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