Entertainment
Kanye West Reportedly Drops Out Of 2020 Presidential Race
Well, that was short-lived. Two weeks ago, Kanye West announced that he would be running to become President of the United States in 2020. Unveiling his campaign goals, West preached an anti-vaccination and anti-abortion stance, which divided his fanbase even further. He was already too late to run in six states and, with the deadline rapidly approaching in several others, West made a last-ditch effort to get his name added to the ballot in Florida and South Carolina. Apparently, it all ended up being too much for him because, according to Intelligencer, he decided to bow out gracefully.
Getting their information from multiple campaign professionals, Intelligencer reported that Kanye had taken steps to have his name included on the ballot as a third-party candidate. The outlet had learned from somebody on Ye’s team that they would be spending time in Florida to get the required number of signatures to be added. That would have meant 132,781 signatures in less than a week to hit the July 15 deadline.
Steve Kramer, who was hired by Kanye’s team to assist him in being added to the voting card, said that the rapper was “working over [the] weekend [in Florida], formalizing the FEC.” However, it looks like the plan was just too overwhelming because, according to Kramer, Kanye is out of the race.
“He’s out,” he said. “I’ll let you know what I know once I get all our stuff canceled. We had over 180 people out there today.”
Kramer added that West’s newly-hired team was upset about the end of his campaign, stating that the mix of volunteers and paid workers was looking forward to his run.
Dimitrios Kambouris/Getty Images
“I have nothing good or bad to say about Kanye,” added Kramer. “Everyone has their personal decision about why they make decisions. Running for president has to be one of the hardest things for someone to actually contemplate at that level.”
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
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Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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