Entertainment
Iggy Azalea Reveals Name Of Her Baby With Playboi Carti
A rumor was flying around that Iggy Azalea and Playboi Carti has decided to name their newborn baby boy “Gilbert,” which quickly became the laughing stock of the internet. Shortly after it gained some traction, Iggy shut down the speculation.
“I’m okay with y’all joking n all but let it be known I didn’t name my child that,” she said.
But what did you name your child? Such questions went unanswered but, finally, the Australian rapper has come through with the information that everybody was asking for.
“Baby boyyyyyyy,” wrote Iggy on her latest post. The sound clip is called “Amethyst and Onyx,” revealing that Iggy and Carti named their baby boy Onyx. Amethyst is Iggy’s given name.
In the clip, the pop culture phenomenon speaks to her little boy with joy in her voice. He responds with the usual baby talk but people even have jokes about that. In the comments, some smart alecs are saying that he already sounds just like his father, who famously raps in a high-pitched baby voice.
Congratulations to Iggy and Carti!
This follows the first photos of Iggy and Onyx together as they arrived at the Los Angeles airport with Playboi Carti’s mother last week.
What do you think of the name they picked out?
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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