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Lupe Fiasco & Kaelin Ellis Announce New EP, Drop “SHOES” With Virgil Abloh

Lupe Fiasco found Orlando producer Kaelin Ellis after the young beatmaker started sending music his way on Twitter, rapping over the sounds that he was feeling. After striking up a friendship with Ellis, the two musicians decided to put together a collaborative EP called HOUSE, which they introduced today.

The first single from the upcoming body of work is called “SHOES,” featuring Virgil Abloh. Using footwear as a base to make a commentary about the world we’re living in, the 6-and-a-half-minute-long song includes the Off-White designer hypothetically designing the pair of sneakers that Ahmaud Arbery was wearing at the time of his murder.

HOUSE will be released on July 24.

Listen to the first single below and let us know your thoughts in the comments.

Quotable Lyrics:

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With touching signs of equality to match
White kid at the front let me go first cause I was black
Said it was only right
He was used to having head starts his entire life
Maybe it was time to step aside like trilobites
Touching, I never forget it like riding bikes
The ordeal starts to spring feelings like guiding light
Permanent villains go about chilling they psychic fights
Nice, and to a buyer’s delight
You’re limited to two so that means I’m buying them twice
One pair to wear, one pair on ice
Aftermarket speculation will surely hike up the price

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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