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Donald Trump Jr. Calls Joe Biden’s Son Hunter A “Crackhead”

It looks as though drugs will remain a central topic within the 2020 Election.

Prior to the debate this week, Donald Trump asked for Joe Biden to take a drug test. According to Rudy Giuliani, the President believes that the former Vice President is addicted to Adderall and uses it as a performance enhancer for his speeches, which is something that Trump himself has been accused of

During the debate, the topic switched from whatever policy the two candidates were discussing when Trump just started hammering away on Biden with jabs about his son Hunter, who he was forced to defend on the spot. Trump and his campaign have seemingly been having fun attacking the Biden family by bringing up Hunter Biden’s issues with addiction, which has now transferred onto the President’s children.


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Donald Trump Jr. was a guest on the Glenn Beck Program where he spoke about Hunter Biden, referring to him as “Crackhead Hunter”. 

“Hunter Biden now has a tie – a direct tie to Vladimir Putin and Russia,” said Trump Jr., seemingly referring to the allegations that his father made during the debate about Hunter accepting $3.5 million from the former mayor of Moscow’s wife. “And you don’t think they would use that over Crackhead Hunter? Like, you don’t think that we need leverage over Joe Biden later on in life? Same with China.”

He continued by claiming that Biden has never done anything of note in terms of investments, making the donation confusing. “No-one’s ever heard of Hunter Biden,” said Trump Jr. “He’s never been an investor, he’s never done any of those things. The Chinese government just gave him a billion dollars because, you know, they thought he was gonna be really good. Come on, man. It’s insane.”

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What do you make of all this?

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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