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Trump Supporter Assaults Protestor for Playing YG’S “FDT”

“A Trump rally sounds like Hitler in Berlin. Or KKK shit, now I’m goin’ in,” YG raps in the opening verse of his 2016 hit, “FDT” (F*ck Donald Trump). The song has shown to be a favorite among those opposed to the Trump Administration, and thus quite the thorn in the side to the president’s more ardent supporters.

Such a divide was put on display in Denton, Texas, recently, when a Trump supporter allegedly assaulted a protestor for refusing to stop playing the song. The reported victim later took to social media to address his health status after the encounter, stating,

“Just want to let you know I am home safe, I got out the hospital a little while ago. As you can see, I got a little scar on my eye and little bruising right here.” He continued, gesturing to a mark under his eye, “Definitely going to have a black eye, it’s already forming. It chipped my tooth and probably broke my nose but the doctor said it looked pretty straight so I should be fine as long as I don’t move it around too much.”

The incident from Saturday afternoon was recorded by a bystander and posted to Twitter, where it has already amassed 7.5 million views. In the sixteen-second clip, the alleged assailant can be heard threatening the reported victim, “I’ll f*ckin eat your f*ckin face off, motherf*cker. You want a f*ckin piece? Turn it [“FDT”] off! I’ll f*ck you off.”

The assault reportedly took place at this point, resulting in the potential victim falling to the ground. The accused can then be heard demanding, “Get up, motherf*cker! Get up!”

Denton Police Chief, Frank Dixon, tweeted of the conflict, “We are aware of an assault that occurred at Buccee’s in our city this afternoon. A report has been taken and detectives are conducting an investigation. If you have information, please call Denton Police at (940) 349-8181. The suspect is in the brown/red hat and black t-shirt.”

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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