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KXNG Crooked Says Eminem & Nick Cannon’s Beef Is Over

With Eminem having recently closed the chapter of his Lord Jamar feud thanks to the diplomatic measures of Royce Da 5’9″, it appeared as if Slim was looking to give his sh*t-list an annual clean-up. And while he has previously exchanged shots with Machine Gun Kelly, Joe Budden, and Nick Cannon, those beefs appeared to have died down entirely, save for the expected lingering animosity that tends to follow hurled insults.

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At 47, it’s entirely possible that Em has grown weary of conflict, tough as it may be for some of his fans to stomach. Case in point, Royce was hit with backlash upon connecting with Nick Cannon, with many (including Bizarre of D12) seeming to feel that it was a betrayal to his Bad Meets Evil partner. It swiftly began to spread like wildfire, and before long there were a handful of incensed Stans calling for Royce’s head. It got so bad that KXNG Crooked found himself stepping forward to clear the air, addressing one Twitter user who inquired about Royce seemingly fraternizing with “the enemy.”

“They’re not enemies,” declares Crook, speaking on Cannon and Em. “It’s over.” While he doesn’t elaborate any further than that, it seems entirely possible that Royce helped facilitate a peace treaty between Eminem and Cannon behind the scenes — not unlike the work he did in mediating the situation with Lord Jamar. Perhaps, rather than questioning Royce’s judgment in meeting with Cannon, the wiser course is to look at the facts.

Throughout the past few years, Royce has never failed to come to Eminem’s defense, even if it meant putting him in an awkward position with a Slaughterhouse group mate. Perhaps he and Cannon will address the Eminem situation when their conversation surfaces in full — in the meantime, perhaps it’s time to consider the Eminem and Nick Cannon beef officially squashed.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

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Kieran James Honors Memory with “Part of the Grind”

Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.