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Kansas City Cop Kneels On Pregnant Black Woman’s Back During Arrest
Protestors have been gathered outside of Kansas City’s Town Hall for the last five days, according to CNN, all because of the unjust arrest of a 25-year-old woman named Deja Stallings. During her arrest, an officer kneeled on her back, which people are furious about because she is nine-months pregnant.
In a statement released by the Kansas City Police Department, the incident is explained as such.
The cops were called because of a fight involving 15-20 people at a gas station. The owner of the gas station told officers that he “wanted everyone off the property who wasn’t buying anything” minutes after they arrived. After a man interfered with the police’s attempts to clear the area, Stallings was reportedly among two people that tried to pull the man away from the cops, resulting in her own arrest.
One witness, Chanel Le’Yoshe, claims that there was actually no fighting or arguing before the police arrived. The gathering was apparently planned by an activist to release balloons into the air to honor a victim of violence.
According to Stallings’ attorney Stacy Shaw, Stallings only stepped between the suspect and the officers for a brief moment, which is shown on the security video, but that the officers swiftly avoided her to continue running after the man. Then, an officer tried to arrest Stallings while she was standing, and “she continued to physically resist arrest, at which point he placed her on the ground to effect the arrest”.
Her arrest was not in view of the security camera.
In videos shared on social media though, Stallings is on the ground, on her front side, with an officer placing their knee on her back. The police claims that the officer took the right measures to not apply pressure with his legs but Shaw argues otherwise.
“The question is only why this officer body-slammed a pregnant woman and put his knee and her back,” Shaw says. “What they’re saying is because they asked her to leave, because she was pulling this away from an officer that that somehow justifies a white, large officer, body slamming 120-some pound, nine-month pregnant woman, twisting her arm above her head and kneeling in her back.”
Protestors outside City Hall are calling for resignations of the officers involved. They are also asking for the Police Chief to resign, and for 50% of police funding to be redirected to social services for the Black community.
Stallings went to the hospital shortly after her arrest and her baby appears to be alright.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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