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Cardi B Calls Offset A “Dumbass” But Refuses To Bash Him

Gone are the days of Cardi B and Offset boasting about their bedroom habits and sharing TMI-laced tweets about their sex life. It looks like their relationship is officially finished with Cardi B saying that she doesn’t want to wait until the “next time” he cheats on her to act.

This lack of trust wasn’t established at the beginning of their wedding– it was brought on. The Migos rapper has been alleged of cheating on his wife multiple times and, this year, Cardi decided she had had enough.

Despite the fact that she is moving forward with a divorce, it appears as though she intends on keeping her family together, still defending her baby daddy whenever possible.

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During last night’s Twitter tirade, in which she defended her team and spoke on personal matters freely, one of Cardi’s fans referred to her estranged husband as a “bad man”, which the rapper was quick to address.

“He a dumbass not a bad man,” said Cardi in a since-deleted tweet. “…Cause out of everybody that tried to steal, finesse me into working with their brand for less he got people coming for me with CORRECT CONTRACTS and never ask for a dollar or benefit like every1 else. N***as is n***a but a bad personality he not.”

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In another post, she said that she doesn’t speak to Offset anymore but that she will not tolerate people slandering his name.

“I don’t give a fuck if you don’t like him. I don’t talk to him but you not going to disrespect my child’s father,” she wrote. “I will slap the shit out of you in curtesy of Kulture.. If he die, go broke, you not the one that’s going to raise my kid.”

This comes just days after she shared an image on Instagram, telling the world that she’s “single, bad, and rich”, which Offset actually liked.

It’s nice to see that there’s still love between them and the split won’t be ugly.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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