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Trey Songz Recovers From COVID-19 & Doesn’t Want To Do Verzuz

Shortly after Donald Trump revealed that he had tested positive for COVID-19, urging his supporters not to take the pandemic seriously, Trey Songz swooped in to tell his fans that he too had tested positive.

“Here with a very important message to let you know that I tested positive for COVID-19,” said Trey. “I’ve taken many tests as I’ve been protesting, food drives—of course, I have a very young son at home so I get tested periodically and this time, unfortunately, it came back positive.”

He made sure to remind people to continue keeping others in mind, saying that he would be staying at home and self-quarantining.

“I will be taking it seriously. I will be self-quarantining. I will be in my house until I see a negative sign,” said the artist. “I don’t know how many of y’all know but my grandfather passed earlier this year, and while it wasn’t said that it was COVID, I do believe it was. So, I’ve always taken it serious. And if you come in contact with COVID, please do the same. Please do the same. Don’t be like the president.”

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Today, he revealed that he has officially tested negative, which was kind of obvious by the massive party he was seen at this week. 

“I ain’t got the COVID no more,” he said during an interview. “Don’t even worry about it, man.”

His name has also been brought up as Timbaland and Swizz Beatz announced the second season of Verzuz. People want to see Trigga Trey participate but, according to the artist, he’s not interested.

“No, I’m not [open to doing Verzuz],” said Trey. “I love Verzuz, don’t get me wrong. I love everything that Verzuz stands for and I love that we have legendary people coming up and showing each other love. What you see after these battles, a lot of younger people are actually put on to these classic artists and you see their streams go up, etc. But for me, I’ve never really been into being in competition with the next man, the next woman, and putting myself in a position where I gotta say, ‘this is better than what you’ve done.’ I’m in competition with myself. Furthermore, I don’t think there’s anybody that really do what I do.”

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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