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T-Boz Calls Out L.A. Reid & Says He Abandoned TLC After Left Eye’s Death

Everybody can name at least one song from famed girl group TLC, and most of us know “Waterfalls” by heart, but after Lisa “Left Eye” Lopes passed away in a car accident in 2002, everything changed for the group, which also includes Rozonda “Chilli” Thomas and Tionne “T-Boz” Watkins.

This week, T-Boz hopped on a podcast to speak about how things were changed for TLC after the tragic death of their teammate, noting that the music industry effectively turned on them, arguing that there is no way around that much.

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T-Boz says it all happened during a five-to-ten year span, and that one man, L.A. Reid, is responsible for a good portion of their neglect in the business.

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“I was talking about a ten-year span, five to ten years, how the industry turned on TLC, which is a fact, after Lisa had died because nobody knew what the state of the group was. Hell, we didn’t even know,” said T-Boz to Hollywood Unlocked. “I wasn’t talking about artists [turning on us], I’m talking about the people that come in with the money, the promoters. The L.A. Reid types.”

While she doesn’t explain exactly how L.A. Reid wronged her and TLC, promising that she wouldn’t expose their drama, she maintains that L.A. didn’t stop “rocking with” them because he no longer believed in them but that it was deeper than that.

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“It was something personal [with L.A.] which I’ll always keep between us, whether I agreed with it or not, he, out of respect, called me. And I’ll just leave it at that,” said T-Boz. “But the final decision was to not rock with us. But it wasn’t because he didn’t believe in us. I’ll clear that part up. But he did decide to turn his back and keep on going. That’s fine. It’s business.”

She goes on to mention Drake, Nelly, and T.I., who pulled out of the Super Bowl Blitz performance in 2014, saying that them backing out of the performance with TLC was actually a blessing.

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“That turned out great for us,” says T-Boz. “God always makes things go exactly how they’re supposed to. I’m a believer in that. The show went exactly as it was supposed to and I am happy that they actually didn’t show up because it showed that we still have staying power. That we can still rock on stage without the bells and whistles and other people to save us.”

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What do you think of T-Boz’s remarks?

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Tiri The Seed Breathes New Life into Nostalgia with ‘Back In The Room’

Tiri The Seed

Tiri The Seed expertly blends vintage musical elements with contemporary production techniques in “Back In The Room.” This track pulsates with a retro vibe, yet maintains a fresh sonic identity, largely due to Tiri’s charismatic vocal delivery, which infuses the mix with an effortlessly cool energy. Thematically, “Back In The Room” explores the nuances of reconnection, encapsulating that poignant emotional experience of revisiting spaces or moments previously perceived as lost.

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Musically, Tiri’s signature vocal timbre overlays an infectious rhythmic foundation paired with lush, sweeping synths, evoking the ambiance of a late-night drive down memory lane. The lyrics are crafted to provoke introspection while the production invites physical movement, striking a harmonious balance between nostalgia and celebration. Tiri’s warm delivery creates an intimate listening experience, drawing the audience into a shared reminiscence of formative moments. The track encapsulates a dichotomy of nostalgia and optimism, making it essential for those who appreciate a classic aesthetic imbued with modern sensibilities.

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Janet Noh Takes a Deep Dive into Vulnerability with ‘One Breath’

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Janet Noh’s latest single, “One Breath,” presents a poignant exploration of emotional depth through a minimalistic sonic arrangement. The track harnesses dynamics and silence, allowing Noh’s nuanced vocal delivery to take center stage.

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The single “One Breath” engages in introspective self-examination, showcasing Noh’s adeptness at lyrical composition that balances vulnerability with strength. Her phrasing and tonal choices exhibit a masterclass in expressive restraint, allowing listeners to engage with the subtle emotional undercurrents present in the music.

The listening experience is intimate, akin to sharing a personal revelation, which enhances the profound quality of the piece. As the final notes fade, the lingering resonance of the song invites reflection, echoing themes of hope and resilience that are striking in their simplicity. Janet Noh successfully cultivates an atmosphere of comfort and contemplation, which speaks to the listener on a personal and universal level.

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