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Benny The Butcher Says Artists Use Breonna Taylor’s Name For Clout

Hip Hop fans have been streaming Burden of Proof non-stop since Benny The Butcher released his Hit-Boy-produced project at the stroke of midnight. The Griselda rapper delivered his first solo project since Summer 2019, and it’s a labor of love that got Benny back into street-beast mode. The rapper dropped by the L.A. Leakers show on Los Angeles’s Power 106 radio station to discuss the rawness of his new album and during the chat, Benny mentioned that he’s an authentic artist who doesn’t need gimmicks to impact the culture.

“You’re never gonna hear Benny on no record speaking…just trying to clout chase just because of the Black Lives Matter movement going on,” Benny The Butcher said. “I’m not never gon’ make a Black Lives Matter song. Not saying that other rappers shouldn’t. That’s just not how I speak to my people. I speak to my people in a different way.” The hosts noted that Benny, himself, is a “representation of Black Lives Matter” so he doesn’t need to express that in the same way as other artists.

“A lot of times with all of this going on with the social media, everything is so visual,” Benny added. “Fans want people to speak on certain things just because. But me, I’m a doer, so I don’t feel comfortable, or I don’t even like how a lot of these guys, they say Breonna Taylor name but they’re not directly involved.”

L.A. Leakers stated that many artists tweet a little something and that’s enough for them. “The public makes them believe that,” said Benny. “The public is so hungry for a celebrity’s attention. It’s almost like the public settles for that… Knowing you could do so much more if you really wanted to do something, it would be bigger than a tweet.”

Benny went on to say—using the Breonna Taylor case as an example—that the shooting “is a real situation,” so it’s unknown how Taylor’s family feels about seeing her face plastered everywhere. “I don’t want to disrespect the family.” Listen to Benny The Butcher on Power 106 below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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