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Reason Hints At Griselda Tension On Joe Budden Podcast

Following their major win at the BET Awards for Best Hip-Hop Platform, the Joe Budden Podcast wasted little time in bouncing back with a hilarious new episode, this time featuring a guest appearance from TDE’s own Reason. And while plenty of topics are unpacked, one of the most interesting moments arrives when the crew breaks down Westside Gunn’s recent message for Eminem and Shady Records — around the one hour fifty-eight minute mark.

Reason

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“He felt a way” says Joe Budden. “It’s alright for n**as to say we felt a way about some shit.” Before the conversation can heat up, Reason interjects with a question about Westside Gunn — “he’s the one with the ad-libs right?” As Budden laughs at the possibility of a brewing “beef,” Reason explains that he’s only really familiar with Benny’s catalog — though he does note that Westside has been “throwing little darts at [TDE] for a minute,” a fact he hasn’t forgotten.

Alluding to Gunn’s displeasure with seeing TDE nominated over Griselda in certain award categories, Reason elaborates on his philosophy. “I do get what he’s saying as far as how many projects they putting out,” he says. “But it’s also not about the quantity though, it’s about the classics — in my opinion.” Rory inquires as to whether there really is animosity between TDE and Griselda, and Reason reflects back to an incident in January. “We was all supposed to rap at Apple,” he reflects. “Griselda was going up there and I was supposed to rap with them. I hit Benny, they said it was cool…and then they said the studio didn’t have the capacity for another rapper.”

“For me, I don’t think n***as really like to cross moments anymore,” he muses. “It’s not about the moment in hip-hop, it’s about where you trying to go. That’s something I try to push against. I try to go with the moments.” While he opts to leave it at that, Joe, Mal, and Rory waste little time in circling back to Westside Gunn’s recent Eminem comment, which only drives the antics deeper into overdrive. Though the hosts conclude that Em and Paul aren’t handling Gridselda quite so effectively, Reason maintains that Griselda doesn’t need the help — “they’re doing a great job.”

For more antics and insight from The Joe Budden Podcast, check out the full episode below. And should you require further clarity on everything that has transpired between Westside Gunn and Shady Records since they connected in 2017, be sure to check out our Complete History piece right here.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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