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Keri Hilson Tells People To Stay Away From COVID-19 Vaccine

The coronavirus has led to a lot of misinformation being spread, especially in the early days. Of course, many scientists didn’t know what it was, and still, to this day, there’s uncertainty about the virus. However, Donald Trump and his team have kept saying there will be a vaccination for the virus in a few weeks, though there hasn’t been a concrete date set on when it’ll be available.

There’s been a reluctance to take the vaccination under Trump’s approval. He hasn’t necessarily gained the trust of Americans, if you haven’t noticed, particularly when it comes to the pandemic. Dr. Fauci, who has led the White House task force for COVID-19, recently said that a vaccine would come in December. The number of vaccines that they’ll have in December won’t be enough for every American so most will have to wait for a few months into 2021.

But even Fauci’s co-sign isn’t enough for some people, especially those who have previously spouted anti-vaxxer theories. Keri Hilson slid into the comment section of a post on Baller Alert’s account advising people not only to avoid that vaccine but any vaccine, for that matter. “Don’t y’all take that vaccine. Or anything other vaccine,” she wrote.

Her take on the matter shouldn’t be surprising. Just as the pandemic struck, Keri Hilson was among the first to push unsubstantiated claims that 5G towers were causing the virus. “People have been trying to warn us about 5G for YEARS. Petitions, organizations, studies…what we’re going thru is the effects of radiation. 5G launched in CHINA. Nov 1, 2019. People dropped dead,” she tweeted.

It didn’t take long for her to get bashed but evidently, the backlash wasn’t worth keeping the tweet up. She later clarified her stance, explaining that she believed 5G was a contributing factor to COVID-19, rather than the sole factor.

Peep Keri Hilson’s comment below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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