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DaBaby Doesn’t Care About BET Awards Snub: “I Made $4M Today”

Everyone is talking about the BET Hip-Hop Awards, which aired this week. Specifically, people are concerned about what they got wrong.

While the BET Hip-Hop Awards have always been fun to watch because of the cyphers, people have been criticizing the network because of some of the choices they made with the actual awards, including Artist Of The Year and Album Of The Year.

Becoming the first artist to release a double-platinum album this year, Lil Baby was the favorite to win in the Album Of The Year category but he ended up losing to Roddy Ricch and Please Excuse Me For Being Antisocial, which seemingly upset him. In the Artist Of The Year category, he lost to Megan Thee Stallion, which sparked outrage across social media

As for DaBaby, the Charlotte rapper went into the night with the most nominations out of anybody, scoring two nods in the Album Of The Year category alone. At the end of the night though, he found his hands empty, losing all twelve of his nominations. He has already addressed the off-night, stating that he’s all good with the results, and now, he’s further explaining why he doesn’t really care too much.

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“I made 4M$ today,” wrote DaBaby on Instagram, sharing a dripped-out picture of himself wearing a Gucci sweatsuit, complete with a bucket hat, a gigantic chain, and rings on nearly every finger. 

You can see why he’s not too peeved about the loss.

Still though, do you think he deserved to take home any specific categories?

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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