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Freddie Gibbs Taps Big Sean & Hit-Boy For Celebratory “4 Thangs”
If there’s a trio that can deliver a certified banger, it’s these three artists. Freddie Gibbs called on Big Sean and Hit-Boy for his latest single “4 Thangs,” a track and accompanying visual that shows the world that the trio is holding it down on top as champions. Gibbs has been teasing basketball-themed images and video clips on social media for weeks in anticipation of the single’s premiere, and now that it has arrived, fans certainly aren’t disappointed.
Hit-Boy recently worked with both Nas and Benny The Butcher on their acclaimed albums, and it’s said that he’s in the studio with Ant Clemons. Of course, Big Sean is still celebrating his latest album Detroit 2 taking over the No. 1 spot on the Billboard charts, and he just shared the BET Hip Hop Awards stage with Ty Dolla $ign and girlfriend Jhené Aiko during their performance of his track, “Body Language.” Check out these three having a great time as top dawgs and stream “4 Thangs.”
Quotable Lyrics
And the polices know that I’m sellin’ it
I did the one and two with the heroin
And my n*gga was snitchin’ me, tellin’ it
I had to jump off a wall with the Mexicans
Gotta get me a brand new plug
I run out of dope and I’m out of my element
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
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