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Louisville Cop Involved In Breonna Taylor’s Murder Sues Her Boyfriend, Kenneth Walker

Jonathan Mattingly, one of the three Louisville police officers involved in the shooting of Breonna Taylor in March, has filed a civil lawsuit against Taylor’s boyfriend, Kenneth Walker, for the“severe trauma, mental anguish and emotional distress” Walker caused him the night of Taylor’s death, and in the months that have followed.

Having obtained a no-knock search warrant, LMPD officers Jonathan Mattingly, Brett Hankison, and Myles Cosgrove, barged into Taylor’s home on March 13th, 2020, while Taylor and Walker were asleep, in what has since been described as a “botched raid.” The raid was part of an ongoing drug investigation, in which the officers wrongly suspected Taylor was a part of. Thinking that the officers were intruders, Walker, a licensed gun owner, allegedly shot Mattingly in the leg, prompting the police officers to open fire with 32 shots of their own, six of which hit Taylor.

The lawsuit reads, “Walker’s conduct in shooting Mattingly is outrageous, intolerable, and offends all accepted standards of decency and morality.” 

After being initially charged and arrested for attempted murder, the charges were dismissed and Walker was released, seeking protection under Kentucky’s “Stand Your Ground” law, which offers immunity from civil and criminal law for any person who uses a gun in self-defense. 

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Walker’s attorney responded to Mattingly’s suit, calling it a “baseless attempt to further victimize and harass Kenny.”

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In a statement obtained by CBS News, attorney Steve Romines said, “Kenny Walker is protected by law under KRS 503.085 and is immune from both criminal prosecution and civil liability as he was acting in self-defense in his own home.” 

Earlier this month in an interview with Gayle King for CBS This Morning, Walker revealed that on the day of the shooting, a LMPD officer said to him that it was “unfortunate” that he was not also shot. In a different CBS This Morning interview with Gayle King, two grand jurors for Taylor’s case called the actions of the police that day “criminal” and “negligent.”

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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