Story

The Weeknd’s Nutty Professor Outfit May Have Won Halloween

The Weeknd is one of the biggest names in music right now as his albums and singles sell hundreds of thousands of units. Coming off of his latest album After Hours, there is no denying that The Weeknd is a man at the top of his game and he continues to be a highly-sought-after feature for artists that need a big hook.

As one can imagine, The Weeknd was big on Halloween this year as he got attend Kendall Jenner’s big party. This time around, Abel decided to dress up as Eddie Murphy’s character in The Nutty Professor, Sherman Klump. As you can see in the photo below, The Weeknd knocked this costume out of the park as he nailed the outfit, all while wearing a fat suit that made him seem like he was really in the movie.

In more clips posted to Instagram, The Weeknd was living his best life in the costume, as many other partygoers were impressed with what appeared to be the best costume of the entire night. As we pointed out in our Halloween recap, there were plenty of great costumes throughout the weekend, but it’s clear The Weeknd’s may have just taken the cake.

Let us know what you think of this costume, in the comments below.

Tweet LinkedIn PinShares0

Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube

Tweet LinkedIn PinShares0

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud