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Denzel Curry Won’t Work With Travis Scott: “His Attitude Funky”

Denzel Curry is on one today.

Earlier today, we wrote about his question-and-answer session on Twitter, in which he revealed why A$AP Rocky removed him from a song, citing that it was because of his friendship with SpaceGhostPurrp

Since then, the Carol City representative has replied to some more questions, specifically answering whether he would ever work with Travis Scott and Kendrick Lamar. Only one of them got the seal of approval.


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Asked whether he would ever make a song with Travis Scott, Denzel Curry seemingly refused, explaining why he would turn down the offer. “His attitude funky,” he wrote.

Somebody called him out and said that he was supposed to be on Astroworld, citing the “Houstonfornication” beat, which Denzel recorded over. According to Zel, that was a mix-up on the producer’s end.

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“Not true the producer just sent the same beat not knowing who was going use it coincidentally we both had it,” clarified the rapper.

As for Kendrick Lamar, he’d make all the time in the world to link up with the Compton icon. 

“Of course,” he said when he was asked if he would ever consider hopping in the studio with Pulitzer Kenny.

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There have been several instances in Travis Scott’s pre-fame career that would point to him having a “funky” attitude, especially that one time he kicked the photographer off of his stage. Do you think Denzel has a personal reason for not wanting to work with the McDonald’s advocate?

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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