Entertainment
WTF?! DMX Explains How He Was Tricked Into Smoking Crack When He Was Only 14 [Video]
X went on to share that his problems with drugs began when he was just 14 years old, saying that the person who introduced him to hip-hop also handed him a crack-laced blunt for the first…
DMX is opening up about the start of his longtime struggles with addiction.
Source: Paras Griffin / Getty
The people over at Uproxx shared an emotional clip from next week’s episode of People’s Party with Talib Kweli, where Kweli and Jasmin Leigh take a look at DMX’s issues with substance abuse.
“I learned that I had to deal with the things that hurt me,” DMX said. “I didn’t really have anybody to talk to… in the hood, nobody wants to hear that… Talking about your problems is viewed as a sign of weakness when actually it’s one of the bravest things you can do. One of the bravest things you can do is put it on the table, chop it up, and just let it out.”
X went on to share that his problems with drugs began when he was just 14 years old, saying that the person who introduced him to hip-hop also handed him a crack-laced blunt for the first time. Not only that, his mentor didn’t tell X exactly what he was smoking, which–understandably–traumatized the rapper.
“He passed the blunt around and… I hit the blunt,” DMX remembered in the interview. “I never felt like this before it fucked me up. I later found out that he laced the blunt with crack… Why would you do that to a child? He was like 30 and he knew I looked up to him. Why would you do that to someone who looks up to you?”
“Thank you for helping me open that door because that’s actually the biggest problem, not addiction,” he said. “Drugs were never a problem, drugs were a symptom of a bigger problem. There were things I went through in my childhood where I just blocked it out. You never know when the things you stored away are going to come out and just fall all over the place… Let me open this door and start dealing with this shit right now before it comes out at the wrong time and I just have a meltdown… that’s what’s helped with addiction and sobriety.”
This full interview with DMX is set to drop on November 9 at 9 a.m. ET.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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