Music

Pharrell Says Justin Timberlake’s ‘Justified’ Album Was Originally Written For Michael Jackson

The Virginia producer shared the news on a recent ‘Drink Champs’ episode and also shared MJ’s reaction to the original songs. …

Pharrell almost had a shot at working with Michael Jackson in the early 2000s. The Virginia producer reflected on that moment during a recent interview on N.O.R.E. and DJ EFN’s Drink Champs podcast. Jackson came up after Pharrell revealed that Prince rejected one of the songs he sent to the legendary singer. It was here that Pharrell shared that almost all of Justin Timberlake’s debut solo album, Justified, was originally written for the King Of Pop.

“John McClain was his manager at the time,” Pharrell said. “We sent him pretty much all the stuff y’all are hearing on the Justified album. That’s all the Michael stuff.” He added, “All but one song, they were all written for Michael.”

Unfortunately for Pharrell, Michael Jackson and his team were not too fond of the music that was sent to him. “John McClain was like, ‘Man Michael don’t want that sh*t,’” Pharrell recalled. “‘He want that sh*t you’re giving Noreaga….he want that ‘Superthug,’” referencing Pharrell and N.O.R.E.’s iconic 1998 track from the latter’s self-titled debut album.

Elsewhere in the podcast, Pharrell shared his feelings on Drake and Pusha T’s beef. “It still breaks my heart to this day, because I would’ve loved to have heard those guys on a song together or heard a joint project together. I would’ve loved to twist that,” he said.

You can watch the full Drink Champs interview with Pharrell in the video above.

Artist Spotlight

“Empatia” by Aurien & Jab Vix set the tone for an atmospheric new era

“Empatia,“ the stunning electronic debut of Aurien, in collaboration with Jab Vix, is the start of a new creative universe under Aurien’s newly launched imprint Château Bonheur Musique. The track feels like a doorway into a curated emotional space, built from atmosphere, storytelling, and immersive sound design.

“Empatia” is founded upon a contemporary electronic aesthetics that favors texture. The production is sleek and considered, offering up soft rhythmic pulses within roomy layers that breathe. Working with Jab Vix gives texture and dynamics to Aurien’s perspective and sets the sound for the song. It’s more about feeling the music than looking for peaks of high energy. It builds slowly and invites you to sit in the mood.

A highlight is the “Elegant Mix,” which takes the original and gives it a more subdued, slicker makeover. It allows the heart of the composition to come through more intimately, and this duality reinforces the idea behind Château Bonheur Musique as environment, experience, and feeling. “Empatia” is a debut statement and manifesto for the immersive, emotionally intelligent electronic music that works as effortlessly as it does in shared spaces. It’s a thoughtful direction for Aurien, where sound is not just heard, but lived in.

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Artist Spotlight

Saint Escape injects an attitude into a classic for a new generation on latest release “Everybody Wants To Rule The World”

SAINT ESCAPE takes a classic favorite, “Everybody Wants To Rule The World,” and gives it a new twist, transforming the iconic hit into an alternative rock statement full of personality and modern flair.

Rather than just repeating a familiar song, Saint Escape offers a bold vision to the track. There’s a touch of “baddiecore-lite” attitude, married with alt-rock vibes, a feeling that seems tailor-made for those who love nostalgia but want something that speaks to today. The result is familiar, yet refreshingly different.

The track establishes its own identity right from the first moments. The alternative rock styling provides a sharper edge to the song’s timeless themes, making for a dynamic listening experience that feels vibrant and contemporary. With confidence in every note, the performance can stand on its own but still respect the legacy of the original.

While acknowledging the song’s emotional and cultural significance, Saint Escape also celebrates a more rebellious aesthetic. The “baddiecore-lite” influence adds an interesting attitude to the track, making it feel fun, confident and effortlessly cool.

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