Music

All The Best New Music From This Week That You Need To Hear

Getty Image Nicki Minaj, Mike Will Made-It, The Weeknd, Miley Cyrus, Nav, and St. Vincent all made some of the best new music of the week. …

Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.

This week saw Nicki Minaj re-team with a beloved collaborator and The Weeknd hop on an international remix. Yeah, it was a great week for new music. Check out the highlights below.

Mike Will Made-It — “What That Speed Bout?!” Feat. Nicki Minaj and Youngboy Never Broke Again

Fresh off the announcement that he signed with Atlantic and has a new album, Michael, on the way next year, Mike Will Made-It kicked off his new label relationship with “What That Speed Bout?!.” Mike got Nicki Minaj on the track (along with Youngboy Never Broke Again), and Mike and Minaj have a history of hitting when they collab, which is true here as well.

Maluma — “Hawái (Remix)” Feat. The Weeknd

Maluma’s “Hawái” was a Latin hit this summer, but now he has given it new life for fall by recruiting The Weeknd for a remix. Further more, it’s also the first time Weeknd fans get the chance to hear him sing in Spanish.

2 Chainz — “Quarantine Thick” Feat. Mulatto

Lifestyles around the world have become more sedentary thanks to the pandemic, and 2 Chainz and Mulatto find beauty in that on their new collaboration, “Quarantine Thick.” 2 Chainz celebrates the excess pounds of the lady in his life, saying on the chorus, “She been quarantine, now lil’ shawty thick / She been quarantine, now lil’ shawty hips wider.”

Nav and Wheezy — Emergency Tsunami

Nav has been a consistent force over the past few years, dropping at least a project annually since 2017. He already released his third album, Good Intentions, back in May, but now he has returned (with Wheezy) in tow for a new mixtape, Emergency Tsunami.

24kGoldn — “Mood (Remix)” Feat. Justin Bieber and J Balvin

It’s been a huge year for both 24kGoldn and Justin Bieber, as each artist has spent time at No. 1 thanks to collaborations. Now they have come together (along with another regular chart presence, J Balvin) to continue the legacy of 24kGoldn’s first chart-topper, “Mood.”

Miley Cyrus — “Edge Of Midnight” Feat. Stevie Nicks

Miley Cyrus’ “Midnight Sky” borrows from Stevie Nicks’ “Edge Of Seventeen,” which Cyrus has been forthcoming about. Now, those two worlds have truly mended on a clever new remix titled “Edge Of Midnight,” which blends elements of both songs in a natural-sounding way.

Benee — “Happen To Me”

Benee’s latest references her mental health journey, which she recently told Uproxx is a theme on her upcoming album: “I think with this album, I haven’t really held back on experimenting with genres and even lyrics. Maybe I would have been more hesitant to do some of the things that I’ve done on this album in my previous bodies of work.”

Darkside — Psychic Live July 17 2017

PSYCHIC LIVE JULY 17 2014 by DARKSIDE

For a quick spell a few years back, Nicolás Jaar and Dave Harrington teamed up as Darkside, and given the pair’s talent, their sole album together was beloved. Now, they have taken a trod down memory lane by unearthing a previously unheard live set and sharing it as a new EP.

Swae Lee, Tyga, and Lil Mosey — “Krabby Step”

The SpongeBob SquarePants franchise has a more impressive musical history than some may realize, and now a trio of modern favorites have joined the storied universe with “Krabby Step.” The track (from Swae Lee, Tyga, and Lil Mosey) comes from the upcoming film The SpongeBob Movie: Sponge On The Run, and it transforms some of the show’s classic music and moments into a genuine banger.

St. Vincent — “Piggy”

Nine Inch Nails just got inducted into the Rock And Roll Hall Of Fame, and to celebrate, St. Vincent decided to cover “Piggy.” Calling the track one of her NIN favorites, Annie Clark said of it, “When I took this song apart to cover it, it took me a long time to really understand the immensity of the groove. It’s a dark, industrial reggae. Muscular, but never as distorted as you imagined it when you think of it in your head. […] They made a complicated thing seem easy and made big, bold sonic choices.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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