Music
Black Sabbath Bassist Geezer Butler Shares His Ironic Opinion Of Cardi B’s ‘WAP’
Atlantic Records We all just become our parents eventually. …
There’s an old saying that we become whatever we fight against. In the case of music, it’s especially true; the artists who were once chastised for pushing the boundaries of social norms become the ones berating their successors for doing the same thing. Once upon a time, the English heavy metal band Black Sabbath left conservative observers clutching their pearls due to their dark content and “offensive” presentation. Now, ironically, one member of the band has some heavy criticism for one of today’s edgiest stars.
In a new interview with Kerrang!, original Black Sabbath bassist Geezer Butler explained the above-mentioned phenomenon, using his own feelings about Cardi B’s hit single “WAP” as an example. “Whatever new music comes out, it’s viewed as the devil’s music,” he explained. “I remember when Elvis came out everybody said he was Satan. And then in the ’60s and ’70s he became America’s national treasure. It happens with every new wave of music. Like metal, obviously. The Christians were going mental when Sabbath came about. And then when rap came about, people were up in arms about that and certain words that rappers were using.”
However, he says, he’s now fallen victim to this mentality himself, thanks to Cardi B’s ode to her genital juiciness. “I have to say, though, that Cardi B pisses me off with that ‘WAP’ song,” Butler continued. “It’s disgusting! But there you go. A friend of mine didn’t know what the song was about but his 10-year-old girl was singing it! I was like ‘What?!’ To put it on the album, fair enough. But to put it out as a single? That’s a bit much.”
Butler did leaven his criticism with a little self-deprecation. “Then again, I’m 71,” he joked. “A bloody old goat!”
“WAP” has drawn its fair share of critics outside of Butler though, from Ben Shapiro to some of the forefathers of rap. None of that stopped it from becoming one of the most successful singles of all time.
Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Album Review
Kamila Csenge explores the unknown with a powerful debut album “Behind the Universe”
Some albums tell stories, while some invite you to experience a different worldview. And that is precisely what Kamila Csenge does on her debut album, “Behind the Universe.” A collection of 7 crafted tracks exploring what lies beyond fear, pain, and the limitations we so often put on ourselves. The album is an invitation to curiosity and reflection and growth, not to easy answers.
The journey begins with a reflective jazz fusion ballad, “The Void,” opening space for silence outside of simple ideas of right and wrong. Next track, “Against the Wall,” moves from there, with a stark look at the courage to overcome obstacles and make a difference. Then, “Music Forever” goes on with a sincere reflection about being true to yourself in a world that asks for attention and speed.
The emotional and imaginative range of the second half of the album goes even further. “Guardians of the Garden” is a peculiar universe, a universe of hope and light in the darkness. Next up is “The Metamorphosis,” which explores the silent yet powerful evolution of a human being, as growth usually begins with the loss of our former selves.
“This World” turns inside to the quiet wars many people fight each day with honesty and compassion. The album ends with “The Point of No Return,” a perfect song to end the album, accepting that the only way to go is just to go. Kamila Csenge’s debut album “Behind the Universe” is a record that prizes emotion, imagination, and resilience and is at once deeply personal and open to infinite interpretation.
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Artist Spotlight
Kai Moa delivers an electronic journey of loss and identity with “L = ∅”
One of the few electronic releases to communicate emotional collapse so intensely is “L = ∅” by Kai Moa. The track is a dramatic shift in weight and atmosphere, the second single from the artist’s forthcoming debut EP, which will be out by August 2026.
The production of “L = ∅” has a nice balance of mechanical force and emotional tension. The song is about the emotional fallout of losing a job and the meaning it held. Instead of a straightforward representation of grief, Kai Moa takes on the mindset of a character who is sliding into nihilism, rejecting ideas of work, security, relationships, and meaning itself. This is an artist who can take personal disappointment and make it into a meditation on identity.
“L = ∅” is an immersive listening experience that defies expectations. Kai Moa has a real talent for blending cinematic storytelling with a bold sound design. This release feels like it could make its way into the ears of underground electronic fans and those searching for substance in their music. Kai Moa is an artist who isn’t scared to jump headfirst into uncomfortable ideas with fearless production and ambitious creative vision, and the first track leads into the debut EP.
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