Music
Black Sabbath Bassist Geezer Butler Shares His Ironic Opinion Of Cardi B’s ‘WAP’
Atlantic Records We all just become our parents eventually. …
There’s an old saying that we become whatever we fight against. In the case of music, it’s especially true; the artists who were once chastised for pushing the boundaries of social norms become the ones berating their successors for doing the same thing. Once upon a time, the English heavy metal band Black Sabbath left conservative observers clutching their pearls due to their dark content and “offensive” presentation. Now, ironically, one member of the band has some heavy criticism for one of today’s edgiest stars.
In a new interview with Kerrang!, original Black Sabbath bassist Geezer Butler explained the above-mentioned phenomenon, using his own feelings about Cardi B’s hit single “WAP” as an example. “Whatever new music comes out, it’s viewed as the devil’s music,” he explained. “I remember when Elvis came out everybody said he was Satan. And then in the ’60s and ’70s he became America’s national treasure. It happens with every new wave of music. Like metal, obviously. The Christians were going mental when Sabbath came about. And then when rap came about, people were up in arms about that and certain words that rappers were using.”
However, he says, he’s now fallen victim to this mentality himself, thanks to Cardi B’s ode to her genital juiciness. “I have to say, though, that Cardi B pisses me off with that ‘WAP’ song,” Butler continued. “It’s disgusting! But there you go. A friend of mine didn’t know what the song was about but his 10-year-old girl was singing it! I was like ‘What?!’ To put it on the album, fair enough. But to put it out as a single? That’s a bit much.”
Butler did leaven his criticism with a little self-deprecation. “Then again, I’m 71,” he joked. “A bloody old goat!”
“WAP” has drawn its fair share of critics outside of Butler though, from Ben Shapiro to some of the forefathers of rap. None of that stopped it from becoming one of the most successful singles of all time.
Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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“The Kids” by Animal Souls stirs timeless reverie on trust and innocence
Imagine the sensation of rediscovering a script enclosed in a bottle, written decades ago, and finding its meaning both haunting and beautiful in its ambiguity. That’s why “The Kids,” the latest single from Animal Souls, feels like a reflective nostalgic treasure of lost sentiments reborn with timely relevance. Penned over three decades prior by the project’s mastermind, Michael Fisher, this song is a tender melodic tribute to the innocence of childhood and the inevitable complexity life brings. Despite the original meaning fading with time, its core message remains strikingly resonant, evoking the purity of beginnings and illustrating how life’s experiences mold our perceptions.
Musically, “The Kids” embodies a sense of gentle storytelling skillfully interwoven through a layered yet tapestry of intimate instrumentation that blends folk, rock, and orchestral influences. True to Animal Souls’ ethos, the arrangement isn’t tied to a single genre, allowing the overarching message of the song to dictate its sonic expression. Michael Fisher’s proficiency as a bassist and production expertise shines brilliantly here, creating a lush, immersive soundscape that benefits from the mastering expertise of Greg Mindorf. The collaboration with talented musicians from Fraser Valley enriches the track with warmth and authenticity, transforming it into a heartfelt dialogue rather than merely a performance.
The song’s delicate equilibrium of vulnerability and wisdom establishes it as a remarkable addition to Animal Souls’ expanding repertoire. It’s the type of track that invites introspection, nudging listeners to reflect on their transitions from innocence to experience.
With “The Kids,” Michael Fisher reaffirms that his late-blooming foray into a full-time musical career was meant to be. The subtle synth swells evoke a nostalgic ambiance, pulling listeners into a hazy, dreamlike recollection of their memories. The gently strummed rhythm juxtaposed with wistful melodies underscores the beauty and fragility inherent in the human experience. Don’t just listen; feel its profound emotional imprint.
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TaniA Kyllikki shares an energetically inspiring anthem in her new single, “Feel Good Vibes”
“Feel Good Vibes,” composed by TaniA Kyllikki, represents a vibrant anthem that encapsulates resilience, celebration, positivity, and mindfulness themes. This work not only commands attention but also evokes a profound emotional response. The latest single offers a refreshing auditory experience that resonates with nostalgia while achieving a contemporary flair by seamlessly integrating elements of pop, house, dance, and traditional influences. The thumping bass and crisp drum beats that characterize the initial measures effectively engage listeners, drawing them into an exhilarating musical journey.
The opening verses establish a bold rhythmic foundation as Kyllikki articulates her mission with unwavering confidence, complemented by an 80s-inspired groove. The second chorus marks a significant elevation in the song’s energy, presenting a dynamic blend of dance and house elements that render it nearly impossible for listeners to remain stationary. The intertwining of synthesizers, arpeggios, and pads envelops the audience in a modern and timeless soundscape.
Kyllikki further distinguishes herself by introducing a playful rap segment, which infuses the composition with renewed vigor and highlights her artistic versatility. When listeners anticipate the song’s climax, she delivers an awe-inspiring vocal finale, showcasing her ability to navigate robust, emotive scales with remarkable skill.
The lyrics are a compelling mantra encouraging embracing life’s positive experiences, inspiring listeners to “LIVE YOUR BEST LIFE.” Whether dancing in a private space or driving with the windows down, “Feel Good Vibes” fulfills its promise, uplifting and invigorating the audience.
Produced by Rynellton and serving as the third single from her forthcoming album, ‘FREE SPIRITED,’ TaniA Kyllikki aptly demonstrates that positivity is perpetually relevant. Therefore, one is encouraged to engage with this work, allowing oneself to absorb its uplifting essence.
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