Entertainment
Lil Nas X Joins Zane Lowe On Apple Music To Discuss His First Single In Almost Two Years
During the interview, he tells Apple Music about working with Tay Keith on the song, says he’ll never take a long break from music again, hints at limited features on his forthcoming album, discusses growing creatively…
Lil Nas X joined Zane Lowe on Apple Music this week to discuss his first single in almost two years called “HOLIDAY”.
Source: Amy Sussman/BBMA2020 / Getty
“Yes, sir. Tay Keith did just whip this up for me. This song actually started in February,” Lil Nax X said about his new single, “Holiday.” “All the way back in February. But at first it was just melodies over a beat. Then it took until summertime till I’m like, “Okay, boom. Let’s do this. Let’s do this.” We always had “HOLIDAY” as a name and then we brought us to this point where you see me just dressed like this to really give it a mood.”
“I want to say this. With this album, with everything, I’m never taking a long break again. You probably from now on, at least for the next decade, you’re never going to go more than four or five months without a new Lil Nas X song or feature. Yeah, let’s say that. Let’s say that.”
“…. I kept features to a minimum. I just feel like I really want to give people me and just me on some of these, because I feel like, especially with singles last time, I always followed up with a feature or a remix. And it’s like, “Okay, no, here’s my song. It’s just me here. You’re going to love this. Here you go.” And some songs I honestly just feel like, okay, this doesn’t need anything else.”
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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