Entertainment
Still Shading Strong: #RHOP’s Candiace Says THIS About ‘Character Assassinating’ Ashley
According to Ashley Darby, since Candiace Dillard dragged her mercilessly over her “motherhood journey” it’s shocking to hear that she wants to have a child of her own. …
On the latest episode of The Real Housewives of Potomac, the ladies continued their trip to Madeira, Portugal that included a shade fest between two of the housewives who’d seemingly buried the hatchet.
During a sitdown, Candiace Dillard revealed that she finally felt ready to have children with her husband Chris Bassett and noted that she was uncertain at first because of her strained relationship with her mom.
“There has been a bit of change in the way that I feel about a lot of things, but I do feel like I am ready to have kids,” said Candiace. “It’s a liberating feeling,” she added wiping away tears whit her signature folded up tissue.
And while most of the ladies gushed over the idea of Candy having “baby Bassett”, Ashley Darby didn’t look too pleased.
According to Ashley, since Candiace dragged her mercilessly over her “motherhood journey” it’s shocking to hear that she wants to have a child of her own. She noted that Candiace labeled her a “concubine” and shaded her husband Michael after they suffered a miscarriage as a couple.
Ashley: “When you did say those things, Michael really was hurting, and the fact that you took that dig at him was really hard for both of us. You talked about my husband faking crying about our miscarriage.”
Candiace: “I don’t want to go backwards, I really don’t…”
Ashley: “While I am trying to bury the hatchet, I am still taken aback by the hurtful things that you said. I was going through a really hard time in my life and now, I really want to be there for you and I genuinely care about you and your motherhood journey, but I don’t want to do it under false pretenses. I am holding on to some things, I’m not over it. You violated me emotionally — the fact [that] you were questioning my intentions of having a baby …”
Candiace was watching the show in real-time and reacted to Ashley’s comments. According to Candy, Ashley has “nothing else to talk about” and she sided with someone who hinted that colorism was coming in to play with constant calls for Candiace to apologize.
Candiace also blasted Ashley for what the reality star announced she would be doing next.
While on the cast trip, Ashley told Gizelle and Robyn that she had written a statement of defense for Monique following the fellow housewife’s Cabernet Combat with Candiace. Mind you, when the two ladies had their altercation at the winery, Ashley missed it completely because she was in the bathroom.
According to Ashely however, she’s going to speak up about Mo’s character—-not about what went down during the fight.
“Monique is filing a countersuit against Candiace, and I do need to tell her that Monique asked me to write a statement for her case,” said Ashley.
“But yours is just going to say you walked to the bathroom and didn’t see anything, right?” asked Robyn while alleging that Monique wants Ashley to “character assasinate” Candiace.
“Clearly, you don’t ever want to have a relationship with Candiace,” said Gizelle.
[…]“I wrote a statement that was my truth and that’s that,” said Ashley.
YIKES.
Candiace is of course none too pleased with Ashley and thinks her fellow housewife has been actively trying to “end her.”
Next week Ashley will tell Candiace why she wrote the statement for Monique—and it apparently won’t go well. “F— you, Ashley!” Candiace says to her.
WELP!
What do YOU think about Ashely Darby and Candiace Dillard going at it on #RHOP???
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Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
Artist Spotlight
“Yonkers” – Song by Tyler, the Creator
15 years ago, Tyler, the Creator released “Yonkers.” The song would go on to shape a generation of hip-hop fans and make him one of the most talked-about artists in modern music. Tyler’s work on “Yonkers,” which came out of the Los Angeles group Odd Future, was a brave mix of raw lyrics, dark humor, and simple production that made him stand out from other artists right away.
“Yonkers,” which is just over three minutes long, seems simple but has a big effect. The song’s production is based on a spooky bassline, simple piano chords, and simple drums. This puts Tyler’s voice and story front and center. His flow is slow and threatening, and it sends out a stream of verses that balance shock value with deep thoughts on themes like being alone, rebelling, and thinking about oneself. This song has a modern twist on the gritty, confrontational style of hip-hop that was popular in the early 2010s.
The music video for “Yonkers” became a cultural phenomenon all by itself. In the black-and-white video, Tyler looks straight into the camera while doing something that surprised both fans and critics. Tyler became known as an artist who isn’t afraid to push boundaries when the song’s raw lyrics and stark images quickly went viral. The video’s viral success brought Odd Future national attention and helped Tyler get more work, including his albums Goblin (2011) and Wolf (2013), which were both well-received by critics.
People who didn’t like “Yonkers” thought it was a new take on hip-hop. People in the genre often liked flashy production and collaborations, but Tyler’s solo song showed that minimalism can be just as interesting, if not more so, when it has strong lyrics. Young people who wanted realness and change connected with the song’s unapologetic tone, and its influence can still be heard in music today. Many contemporary artists assert that Tyler’s early compositions, particularly “Yonkers,” significantly influenced their lyrical writing and visual storytelling techniques.
“Yonkers” was a big moment in Tyler, the Creator’s career. It was a bold statement from a single artist who wanted to change the rules of hip-hop, and it captured the spirit of early Odd Future, a group that thrived on chaos, creativity, and free expression. More than ten years later, the song is still a touchstone for fans and a turning point in the growth of alternative rap. Its creepy beat, controversial lyrics, and viral music video are still seen as examples of a time when hip-hop was pushing its limits and welcoming a new generation of voices that were willing to question the way things were.
“Yonkers” is a cultural artifact, a snapshot of the time that shaped Tyler, the Creator’s unique artistic style, and a reminder of how powerful bold, unapologetic music can be.
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