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Lil Uzi Vert Is Convinced He’s Not Winning An AMA Award For ‘Eternal Atake’

Getty Image The rapper shared his thoughts about sharing the Favorite Rap/Hip-Hop Album category with Lil Baby and Roddy Ricch. …

Just ahead of Lil Uzi Vert’s short-lived retirement, the rapper began teasing his long-awaited record Eternal Atake. The LP finally arrived in March after a surprise-drop and received a number of accolades. Along with debuting at No. 1 on the Billboard 200 chart, the record was nominated for an AMA award. While most musicians would be over the moon about the nomination, Uzi isn’t holding his breath for a win.

Uzi’s Eternal Atake is nominated for Favorite Rap/Hip-Hop Album at the upcoming AMAs, which takes place November 22. But because Uzi also shares the category with Lil Baby’s My Turn and Roddy Ricch’s Please Excuse Me For Being Antisocial, he isn’t confident that he’ll be taking home the trophy. Replying to a fan’s question about his reaction the nomination, Uzi succinctly replied: “My thoughts Oh yea I’m not winning that.”

Despite the long wait for Eternal Atake, it didn’t take Uzi long before he released yet another project — this time with Future. Last week, Uzi joined forces with Future for the 16-track effort Pluto X Baby Pluto. The duo had been teasing the project for several months and by the time it was officially released, Uzi had already set his sights on something else. A day following Pluto X Baby Pluto, Uzi teased that he has yet another project coming with Future.

Lil Uzi Vert is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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