Music
Asian American Heritage Month – Dolly Ave Debuting ‘Sleep’ Album
Dolly Ave is releasing her debut album titled “Sleep” on May 7th, 2021. Having had a break-out hit with her 2020 collaboration on “Sunlight, Quiet, Flowers” with rapper Charlie Curtis-Beard – which trended #1 on TikTok’s Original Music charts for 7 days straight and over 428K streams on Spotify (and counting) – Dolly Ave is ready to make her own mark on the music scene with her first full-length offering to fans.
Read More: Premiere: S-EM-C Exclusive Interview with Honk Magazine Reporter
Written towards the end of 2019, Dolly’s seven-track record Sleep is a collection of lo-fi songs that sit at the intersection of pop, R&B, and bedroom vulnerability, as the tracks move through the ebb and flows of a relationship. “It’s not a heartbreak album,” Dolly insists, though she created the album freshly after a break-up while she was still in the throes of finding closure. “It’s definitely me finding empowerment in the vulnerability of each stage.”
Dolly Ave is not only an emerging artist in the creative industry, but also an award-winning photographer who has worked with the likes of Kendrick Lamar, Chance the Rapper, and the Migos. Raised in Kansas City, Missouri by two immigrant parents from Vietnam, Dolly Ave speaks of her inspiration to pursue a creative career with an undeniable fervor saying that she makes music “for young artists, for the underprivileged, and for the misunderstood.” Dolly’s parents worked as nail technicians and frequently moved the family between Sikeston, Missouri, and Kansas City in their search for jobs during her childhood. Dolly describes Kansas City as a “very strange place to immigrate to”: a small, midwestern town with not many other Asians, and with just as modest and simple expectations for life — to grow up and get a good job. Still, Dolly dreamed of bigger things. Her family was a creative one – her father played the guitar, and Dolly grew up listening to “all sorts of stuff,” from The Beatles to Vanessa Carlton, who specifically left a sizable impression on Dolly when she was younger because Carlton played the piano and sang at the same time.
In school, Dolly did theatre and choir, where she learned to sight-read and where one of her teachers remarked that the way she sang was “Eastern-wise,” she remembers. The advent of the Internet and with it, the vast and new world of YouTube, also played a significant role in Dolly’s formative years. “I noticed a lot of musicians would turn on the webcam and play their songs,” she says. “It blew my mind, like, ‘Wow people are just putting this out there in the world?’” Though she was shy and didn’t share any original music of her own on the platform, she was writing and singing little songs in her bedroom: sad and sweet tunes about feeling alone. “I was 12 singing about being lonely and sad,” she says now, laughing. As Dolly ventured deeper into the YouTube music community, she followed along as the creators she admired, among them Daniela Andrade, AJ Rafael, Tim Atlas, and Sam Tsui, grew their careers from homegrown cover videos full-blown careers in their own right. “That sparked a lot in my journey in music and the arts,” she says. “This is not just something that always has to be a hobby. There are avenues, or channels to make this a real thing, and [to] enjoy your life making it.” Eventually, at 18, Dolly left the narrow confines of Kansas City for art school in Chicago, where she bloomed. Propelled by the bustling and rich underground music and art scene of the city, one she describes to be tight-knit and immensely collaborative, Dolly found her footing in her own creative endeavors. She navigated the music community by way of her camera, having nurtured a childhood hobby into a career, taking photos and filming videos for local artists. All the while, she continued to write songs on her own.
In June 2018, spurred on by a moment of “what if” curiosity and her friend’s urgings, she recorded and released her first song, “Birds,” a melancholy, and contemplative tune with R&B leanings about finding “the legs to run.” Shortly thereafter, encouraged by the unknown potentials of her own creativity, she began working on her first project, the Sleep, which has finally come to fruition as Dolly Ave steps into the spotlight for the first time with a full-length record.
Connect with Dolly Ave:
Website | Spotify | Instagram | YouTube | Facebook | Twitter | TikTok (@dollyavemusic)
Artist Spotlight
DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”
DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.
The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.
“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.
The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.
Connect with DONELLI A.I. ENSEMBLE on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Mark Cee unveils an acoustic storytelling with a restless edge on New Album “Ghost Talk Show”
Mark Cee, an ambient indie folk artist dedicated to the art of the human recording, releases a nine-track album titled “Ghost Talk Show.” A set of folk-rock and singer-songwriter songs built on acoustic textures, personal reflection, memory, and emotional movement. The album begins with a conversational feel that lets the themes play out in character-driven tunes and melodic playing. The result is an album that is simultaneously intimate acoustic writing and sporadic ventures into electric rock.
The album begins with “I Am Dreaming Of,” an acoustic-tinged song about the possibilities of who someone could be and the desire to have that potential recognized. The way it reflects establishes the mood for what follows, a mood of memories. “Drifting Back Again” is a look back at past behavior, dealing with the complicated feeling of looking back at experiences that weren’t necessarily good but still have an undeniable emotional pull.
“Thought I Saw You Yesterday” has that reflective feel all the way through, with acoustic guitar and catchy vocals making the tune memorable and easy to get into. There’s a darker metaphorical edge to the album in “Skeletons on Your Lawn,” which explores the idea of hidden truths that can’t stay hidden. “And Now The Rain Is Gone” later turns towards leaving the past behind, and “Wish You Were Coming Home” adds an especially emotional quality to the record.
The last track, “Don’t Buy Gas Station Gummies,” shakes up the instrumental palette with catchy electric rock guitar, providing an energetic finish to an album largely defined by acoustic sensibilities. The “Ghost Talk Show” shows Mark Cee’s artistic direction, which is based on storytelling and emotional observation. The album moves around memory, regret, longing, self-reflection, and forward motion but always keeps a recognizable folk-rock base. Other tracks on the album:
And Now the Rain Is Gone (Instrumental)
Sweet Jenny.
Connect with Mark Cee on Spotify || Instagram || Facebook || Youtube
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