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Old Tom & the Lookouts Confront Mental Health In Their New Single “Hey Edna”

Old Tom & the Lookouts are teasing their sophomore album, Just for Beasts with the release of the lead single, “Hey Edna,” on August 12. Opening the discussion around mental health (a deep thread throughout the songs of the upcoming album), “Hey Edna” focuses largely on the anxiety behind communicating with someone you care about….especially as it becomes more challenging when they are going through a lot. The lyrics to “Hey Edna” portray the message of the hardships one faces when trying to support someone they love – highlighting the impatience and motives behind how this situation can take a negative spin. Chronicling the challenges of providing a safe space for loved ones, the song is a lesson in patience, love, and sustainable communication. “All of this was written and produced to help develop a more positive dialogue surrounding mental health,” says Alex Calabrese of the band. “Instead of romanticizing the many challenges of mental illness, we’d rather focus on hope.”

The full record, Just for Beasts, (set to release on November 4th) is a concept piece centered around finding community, a sense of self-worth, and finding a healthy and sustainable way to love and support yourself as well as others you care about. The record addresses many of the nuanced challenges presented to folks suffering from depression and anxiety.

Old Tom & the Lookouts is a Boston-based Indie-Folk band, creating hopeful, evocative music about mental health. The lyrically driven project is shared through the lens of writer and singer, Alex Calabrese and violinist Cecilia Vacanti. With their combined efforts the two provide a minimalist tone, accompanied by lush string arrangements, witty and brooding lyrics, soulful melodies, and striking harmonies. The band’s debut record, Beautiful or Not, pays homage to influences such as Frightened Rabbit, Phoebe Bridgers, and Tom Waits, capturing a new voice within the Indie-Folk genre. The band is set to release their sophomore album, Just for Beasts in Fall 2021.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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