Artist Spotlight
Exclusive Interview With Fast Rising Star (Darla Jade)
Today we had an exclusive chance to interview Darla Jade.
Hello Darla Jade, Thanks for Coming To Honk Magazine To Talk About Your Music Career.
Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.
Sure! Hi, I’m Darla Jade, I’m an electropop artist from Stoke On Trent in the UK. I’ve been writing my own music now for about 4 years, I started when I was 19 and I’m 23 now.
Talk me through your creative process:
So my creative process can differ a lot, sometimes I have a specific lyrical concept or idea that I want to talk about in the song, or I sometimes start with melody first and then lyric after, so it’s pretty varied.
How do you solve productivity/scheduling problems and reduce overwhelming situations?
I tend to write A LOT of To Do lists haha and my calendar is literally my best friend at this point. I sometimes book things quite ahead of time, which can get overwhelming, but to be honest, I just live day by day and try not to stress about things that are too far into the future, as that makes everything much more manageable for me.
What’s the best advice you ever received concerning music?
The best advice is a common one, but genuinely the most important in my opinion, and it is to always follow your intuition and gut because if something doesn’t feel right then it probably isn’t.
What is still your biggest challenge?
Imposter syndrome is something I massively struggle with and for some reason I just can’t shake it off. I actually have a song about it that’s coming out in October – but yeah it’s that feeling of success being a fluke when in actual sense it was just hard work and determination.
What would you have done differently if you knew then what you know now?
I wished I hadn’t rushed anything! When I first started making music I thought to create songs I needed to be able to play an instrument. So I picked up the ukulele and started writing, all of my music basically sounded a bit indie folk and I put it out and then I discovered pop producers and then I actually realised that this was the sound I wanted to make. So yeah if I could go back, I’d definitely tell my younger self to work with lots of different producers and find the sound you actually want to make.
If you could go open a show for any artist who would it be?
Ahh such a tough question! I think it would have to be Sigrid, I feel like she is so talented and such a big inspiration!
What are you focusing your time on now?
Right now I’m getting ready to release my sophomore ep ‘Only The Paranoid Survive,’ which is coming out on all platforms on the 14th October! It’s a six track ep and I’m just so so excited to share it! Other than getting ready for that, I’m writing new music for next year and also playing quite a few shows, which is really cool! I have a few London shows coming up and my next one is on the 28th September at Roadtrip & The Workshop.
How do you currently feel about the state of electropop in general?
I think electropop is still very much in at the moment, but I do feel like there is a slight shift now to a more punk rockier sound. Although, I think the new 80’s electro pop style will just keep going strong though, because it’s got such a nostalgic feel good vibe to it! I think the ‘Stranger Things’ soundtrack has also really helped electropop stay relevant too, which is great!
What keeps you going when things get tough in the music industry?
I guess the music is what keeps me going. I really don’t think I can see myself not making music at this point. Sometimes I have a hard time processing or talking about my feelings, so making music is an outlet for me. I also think it’s really good to talk to other creatives, because they are going through the exact same struggles, so that definitely makes the tough times in the industry a lot easier knowing you’re not alone.
How can our readers follow you online?
I am on all of the main social media platforms! Here are my handles:
Instagram – @itsdarlajade
Facebook – @itsdarlajade
Twitter – @its_darlajade
TikTok – @itsdarlajade
Spotify, Soundcloud and Youtube – Just type in Darla Jade and I should come up.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
Connect with Mamas Gun on Spotify || Instagram || facebook || Youtube
Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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