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EMBRACING RECOGNITION IN THE MUSIC INDUSTRY—Stratøs

Short and sweet interview with Los Angeles’s rising star, Stratøs! He shares his favorite aspects of making music, working with veterans in the game, and more upcoming fresh music.

Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.

My name is Stratøs, I’ll be 26 this October 1st, and I’m from Ann Arbor Michigan. I currently live in Los Angeles, California.

What’s the best advice you ever received concerning music?

That the learning process Is cyclical. I don’t need to (and in fact, can’t) learn a concept perfectly before moving on. I’m supposed to come back to concepts again and again. It can be years before I revisit something I’m practicing. This helped me get over the paralysis of trying to get something “perfect” before moving onto the next thing.

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What would you have done differently if you knew then what you know now?

Practice, write, produce, photograph more when I was younger and had more time!

What is still your biggest challenge?

My biggest challenge would probably be just navigating the music industry as a whole. It’s a tough industry that’s currently not equipped to sustain actual musicians, and that’s a struggle every day.

What keeps you going when things get tough in the music industry?

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The music does. No matter how tough things get, the art is still here. I’ll never stop making art because I simply cannot – it is my purpose in life. Taking a step back from your art is something stigmatized, but is perfectly okay, and healthy, and normal. This industry is grueling. It’s important to take a step back sometimes to gain perspective and preserve your sanity. It’s okay to step away for a bit and come back.

Talk me through your creative process.

There’s a lot that goes into my creative process. I’m a saxophonist, composer, producer, and film photographer, and each discipline takes a different set of skills. These days I’m doing a lot more composing because I’m working on my third album. My composition usually involves taking unrelated elements and try to make them relate. My tunes usually have some sort of concept at the core of them that I’m trying to work out.

How do you currently feel about the state of “Your genre” in general?

The state of “jazz” has always been interesting. Firstly because this style of music isn’t even really called “jazz,” because that was a name originally given to the music intending for it to be derogatory. This music falls under the “Black American Music” umbrella and from its inception it’s always been about progress and pushing boundaries. There’s a lot of amazing “jazz” these days because people from all walks of life and backgrounds are adding to it and making it more and more unique. It’s great!

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If you could go open a show for any artist who would it be?

I’d love to open for Flying Lotus some day!

How do you solve productivity/scheduling problems and reduce overwhelming situations?

I keep an organized calendar, and I try to write things down.

What are you focusing your time on now?

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As I kinda touched on before, I’m currently working on my third album. I don’t wanna say too much, but I’m using all of the resources and knowledge I’ve learned from all parts of the album making process and putting them into this record. Also, since I just moved to LA, I’m focussing on getting connected in the music scene here and just getting settled down.

How can our readers follow you online?

You can follow me on all social media platforms @stratostones, as well as my website www.stratostones.com. I also have a print shop where you can buy prints of my film photographs here: https://stratos.darkroom.tech/. You can buy my first album Planets here: https://stratosmusic.bandcamp.com/album/planets and my second album Hohenheim Suites here: https://stratosmusic.bandcamp.com/album/hohenheim-suites. I’m also on all of the streaming platforms like spotify and apple music, just search “Stratøs.”

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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