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Artist Spotlight

EMBRACING RECOGNITION IN THE MUSIC INDUSTRY—Stratøs

Short and sweet interview with Los Angeles’s rising star, Stratøs! He shares his favorite aspects of making music, working with veterans in the game, and more upcoming fresh music.

Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.

My name is Stratøs, I’ll be 26 this October 1st, and I’m from Ann Arbor Michigan. I currently live in Los Angeles, California.

What’s the best advice you ever received concerning music?

That the learning process Is cyclical. I don’t need to (and in fact, can’t) learn a concept perfectly before moving on. I’m supposed to come back to concepts again and again. It can be years before I revisit something I’m practicing. This helped me get over the paralysis of trying to get something “perfect” before moving onto the next thing.

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What would you have done differently if you knew then what you know now?

Practice, write, produce, photograph more when I was younger and had more time!

What is still your biggest challenge?

My biggest challenge would probably be just navigating the music industry as a whole. It’s a tough industry that’s currently not equipped to sustain actual musicians, and that’s a struggle every day.

What keeps you going when things get tough in the music industry?

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The music does. No matter how tough things get, the art is still here. I’ll never stop making art because I simply cannot – it is my purpose in life. Taking a step back from your art is something stigmatized, but is perfectly okay, and healthy, and normal. This industry is grueling. It’s important to take a step back sometimes to gain perspective and preserve your sanity. It’s okay to step away for a bit and come back.

Talk me through your creative process.

There’s a lot that goes into my creative process. I’m a saxophonist, composer, producer, and film photographer, and each discipline takes a different set of skills. These days I’m doing a lot more composing because I’m working on my third album. My composition usually involves taking unrelated elements and try to make them relate. My tunes usually have some sort of concept at the core of them that I’m trying to work out.

How do you currently feel about the state of “Your genre” in general?

The state of “jazz” has always been interesting. Firstly because this style of music isn’t even really called “jazz,” because that was a name originally given to the music intending for it to be derogatory. This music falls under the “Black American Music” umbrella and from its inception it’s always been about progress and pushing boundaries. There’s a lot of amazing “jazz” these days because people from all walks of life and backgrounds are adding to it and making it more and more unique. It’s great!

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If you could go open a show for any artist who would it be?

I’d love to open for Flying Lotus some day!

How do you solve productivity/scheduling problems and reduce overwhelming situations?

I keep an organized calendar, and I try to write things down.

What are you focusing your time on now?

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As I kinda touched on before, I’m currently working on my third album. I don’t wanna say too much, but I’m using all of the resources and knowledge I’ve learned from all parts of the album making process and putting them into this record. Also, since I just moved to LA, I’m focussing on getting connected in the music scene here and just getting settled down.

How can our readers follow you online?

You can follow me on all social media platforms @stratostones, as well as my website www.stratostones.com. I also have a print shop where you can buy prints of my film photographs here: https://stratos.darkroom.tech/. You can buy my first album Planets here: https://stratosmusic.bandcamp.com/album/planets and my second album Hohenheim Suites here: https://stratosmusic.bandcamp.com/album/hohenheim-suites. I’m also on all of the streaming platforms like spotify and apple music, just search “Stratøs.”

Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Alwyn Morrison

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Fanny Alexandra

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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