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Kendrick Lamar’s “Not Like Us” Music Video A Homecoming Celebration in Compto

Kendrick Lamar

The hip-hop world is abuzz with anticipation for Kendrick Lamar‘s forthcoming music video “Not Like Us,” shot in his hometown of Compton. Fans and media alike are eager for a glimpse of the visuals, which promise to be a powerful homage to the city that shaped him. TMZ caught up with West Coast artist JasonMartin, who shared his insights on the shoot, the impact on the community, and an unexpected visit from social media personality Bobbi Althoff.

Reflecting on the experience, JasonMartin expressed deep pride in being part of such a significant project. “For Kendrick and me, that neighborhood birthed us and raised us,” he said, referencing the iconic intersections of Central and Rosecrans, and Central and El Segundo. “Being there with our people, who watched us grow up, and seeing Kendrick receive the love and admiration he deserves—it was almost biblical. I’ve never felt that safe in my own community.”

The shoot at the Compton courthouse, with street culture represented in full force, created a rare atmosphere of unity and safety. “For those not from here, they won’t get it. Safety was always a concern. But to walk around our city knowing nothing would happen, it’s a new reality for us.”

JasonMartin also spoke on the broader implications of this newfound peace. “There’s been truce among different groups that have been at odds for a long time. Kendrick has facilitated this change, and I hope it continues. He’s the king of hip-hop, no question.”

As for Bobbi Althoff’s visit, Martin saw it as a positive sign. “She was shooting at Enterprise Park the day before. It makes all the sense in the world—why shouldn’t white people come to Compton and see what’s going on? We’re the new Hollywood. All races and walks of life should feel welcome in our city.”

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Kendrick Lamar’s “Not Like Us” is not just a music video; it’s a testament to community, change, and the power of coming home.

 

Artist Spotlight

Bash Co. examines emotional imprisonment and love on “Dungeon”

Bash Co.

Love is often seen as freedom, connection, and emotional release, and in the single “Dungeon,” Bash Co. takes a more complex look at reality, exploring what happens when an emotion becomes a prison. The song has been described as a darker take on “Velvet” and is part of an artistic duality between opposing emotional states. “Dungeon” explores being trapped by feelings that should otherwise bring freedom.

The song tells a story of emotional entrapment, fractured communication, and a broken inner state. Bash Co. examines how difficult it can be to shake attachment and emotional intensity. This picture fits with the song’s theme of pain and imprisonment.

The recording process also unexpectedly influenced the final direction. “Dungeon” was written on an acoustic octave guitar, inspired by a series of technical setbacks that helped Bash Co. hone in on the mood he was seeking. Those struggles could’ve thrown him off his game, but instead he used the experience to get closer to the suffocating character that the song’s lyrical concept demanded.

This is especially relevant to the release’s identity. The emotional side is also offered as a philosophical exploration, not as personal history. “Dungeon” would suit “Velvet” much better, and the two pieces explore the dichotomy between emotional freedom and constraint, providing a wider context for Bash Co.’s creative direction. The two releases are divided by a study of how the same emotional terrain can lead to very different experiences.

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Young Thug, YSL Win in Court in Lil Wayne Tour Bus Shooting Lawsuit from 10 Years Ago

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Young Thug and his label, YSL, have been dismissed from the lawsuit over the 2015 shooting of Lil Wayne’s tour bus, another major development in a decade-long legal battle. The move follows Birdman and Cash Money Records being dropped from the same lawsuit.

Judge Eric A. Brewton threw Young Thug out of the case, Billboard reports, because there was no evidence to prove an employment relationship between the rapper and the shooter named in the lawsuit, PeeWee Roscoe. The court found insufficient evidence to support the claim that Roscoe was acting for Thug.

The lawsuit was filed by Alvin Lewis, who was Lil Wayne’s tour bus driver at the time of the 2015 shooting. Lewis named several parties in the lawsuit, including Young Thug, YSL, Birdman, and Cash Money Records.

A central part of Lewis’ allegations was that Roscoe acted on behalf of Young Thug. But the court’s ruling suggests that the evidence did not establish the connection that Lewis was trying to draw between the rapper and the shooter.

The judge’s emphasis on the absence of an employment relationship was especially important in reaching the decision. There wasn’t enough proof tying Roscoe to Thug in that role, so the court ruled that the rapper should be out of the lawsuit.

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Birdman and Cash Money Records were also dismissed from the case. The judge said there was not enough evidence to link Birdman to the shooting in their case, including information that he was not in the same state when it happened.

The ruling is the latest setback for Lewis in his ongoing case stemming from the 2015 incident. A lawsuit that once involved several big names in hip-hop has seen those defendants dropped after the court weighed the evidence.

The development offers a significant legal break for Young Thug and YSL from a lawsuit that has been active for years. The ruling doesn’t change the history of the shooting itself, but it does change the rapper’s and the organization’s legal standing regarding Lewis’ accusations.

It is important to distinguish between the dismissal and a finding on all issues in the original incident. From what we know, the ruling concerns whether enough evidence linked Young Thug to Roscoe’s actions through an employment relationship.

The case has garnered attention because of its link to Lil Wayne and other celebrities who were originally named in the lawsuit. With Young Thug and YSL now removed, alongside Birdman and Cash Money Records, the legal dispute has taken another major turn.

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“The decision is a hard development for Lewis in a case that started ten years ago. The defendants who were dismissed have won a major court victory.

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