Music

Snoop Dogg Slammed with Lawsuit Over Alleged Copyright Infringement on BODR Tracks

Snoop Dogg has landed in hot water with a fresh legal battle brewing. Earlier this week, producer and drummer Trevor Lawrence Jr. filed a copyright lawsuit against the rapper in LA federal court, accusing him of using two backing tracks without proper payment. Lawrence Jr. claims he allowed Snoop to “experiment with the tracks in-studio,” making it clear that payment would be required if the tracks were commercially released.

The tracks in question, “Pop Pop” and “Get This Dick,” are featured on Snoop’s 2022 album BODR. According to Lawrence Jr.’s attorneys, there was no formal licensing agreement, and the producer has yet to see any financial compensation for his contributions.

“To date, defendants have refused to properly license the Lawrence tracks or compensate Lawrence for their use in the Broadus tracks,” the lawsuit states. Lawrence Jr. often creates tracks to shop around to artists, assuming a proper license will be negotiated. His attorneys claim that he and Snoop agreed on a $10K flat fee plus a 50% interest in the musical composition. However, the lawsuit argues that the songs have generated “tens of millions of dollars,” especially with their release as NFTs.

“At no point in time did defendants… Communicate to Lawrence any intention to exploit the Lawrence tracks in connection with a bundled offering such as [the NFT sale], nor did Lawrence authorize any such exploitation of his work,” the lawsuit emphasizes.

What are your thoughts on Snoop Dogg’s latest legal troubles? Share your opinions in the comments section below, and stay tuned to Honk Magazine for more updates on this developing story.

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Entertainment

HTP Zacariah Takes the Crown with Ambitious New Banger ‘Himinem’

HTP Zacariah makes a striking impact with his latest release, “Himinem.” This track is a bold artistic statement, characterized by its high-energy production and confident lyrical delivery that commands attention. Zacariah’s flow is precise, executing complex rhyme schemes and syncopated rhythms over a beat that seamlessly blends contemporary trap elements with the foundational grit of classic hip-hop.

“Himinem” encapsulates Zacariah’s aspiration, adversity, and achievement narrative. The lyrics pay homage to hip-hop pioneers while establishing his unique identity within the genre.

The production features a compelling hook that enhances memorability alongside verses designed to engage and challenge the listener’s cognitive and emotional response. His atmosphere is a hybrid of anthemic celebration and motivational discourse—a track engineered for those moments of self-empowerment.

“Himinem” is a meticulously crafted piece that is best experienced at maximum volume, aligning perfectly with Zacariah’s artistic vision.

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Music

Tiri The Seed Breathes New Life into Nostalgia with ‘Back In The Room’

Tiri The Seed expertly blends vintage musical elements with contemporary production techniques in “Back In The Room.” This track pulsates with a retro vibe, yet maintains a fresh sonic identity, largely due to Tiri’s charismatic vocal delivery, which infuses the mix with an effortlessly cool energy. Thematically, “Back In The Room” explores the nuances of reconnection, encapsulating that poignant emotional experience of revisiting spaces or moments previously perceived as lost.

Musically, Tiri’s signature vocal timbre overlays an infectious rhythmic foundation paired with lush, sweeping synths, evoking the ambiance of a late-night drive down memory lane. The lyrics are crafted to provoke introspection while the production invites physical movement, striking a harmonious balance between nostalgia and celebration. Tiri’s warm delivery creates an intimate listening experience, drawing the audience into a shared reminiscence of formative moments. The track encapsulates a dichotomy of nostalgia and optimism, making it essential for those who appreciate a classic aesthetic imbued with modern sensibilities.